The Fridericianum in Kassel honors the work of Ulla Wiggen with a comprehensive survey exhibition. The work of the artist, who was born in 1942 in Stockholm, is characterized by outstanding formal and conceptual acuity. Spanning six decades, Wiggen’s oeuvre comprises four distinct bodies of paintings: renderings of circuit boards and other electronic components, portraits, medical imagery showing bones and inner organs of the human body and works that focus on the iris of the eye.
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Tauba Auerbach, born in 1981 in San Francisco and now living in New York, traces the visible and invisible connections, structures, and rhythms that shape our universe. In addition, Auerbach orients their artistic gaze toward the micro- and macrocosmic that constitute the complexity of being.
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The publishing project Diagonal Press was founded by Tauba Auerbach in 2013 and aims to continuously give more space to their experiments in the fields of typography, book design and production, as well as the applied arts. The spectrum of its output ranges from books, calendars, posters, and flags to toys, accessories, and jewelry.
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Roberto Cuoghi, who was born in Modena in 1973 and now lives in Milan, is hard to pin down as an artist. His practice encompasses almost the entire spectrum of artistic genres, taking countless guises and reflecting the artist’s preoccupation with diverse, sometimes seemingly contradictory themes and issues.
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For over twenty-five years Toba Khedoori, born in Sydney in 1964 and now living in Los Angeles, has been developing a body of work that can be described as one of the most outstanding and singular contributions to contemporary art.
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Born in 1988 in Los Angeles, Martine Syms has emerged in recent years as one of the defining figures in the younger, international discourse on art. Developed especially for Kassel and entitled Aphrodite’s Beasts, the exhibition presents the artist’s work to a broader audience in Germany for the first time by means of film installations, photographs, site specific interventions, and objects.
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Since the early 1990s, Vincent Fecteau has worked with simple, sometimes everyday materials such as papier-mâché, foamcore, champagne corks, popsicle sticks, and shells to produce a body of work comprising sculptures and collages in a wide variety of forms. The Fridericianum presented the first institutional solo exhibition in Germany dedicated to the artist, who was born in 1969 in Islip, New York.
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October 3, 2020 – May 24, 2021
The Fridericianum presented “Waters’ Witness”, the first solo exhibition in Germany of the work of Atoui, who was born in Beirut in 1980 and now lives in Paris.
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February 15, 2020 – September 6, 2020
The Fridericianum presented the first exhibition in Germany of the artist’s work for over three decades. The show allowed visitors to rediscover this outstanding exponent of postwar art, who is as relevant for contemporary discourse as he is enigmatic.
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October 26, 2019 – January 12, 2020
In recent years, Rachel Rose has quickly risen to prominence for her compelling video installations and films. In her work, the artist often explores how our relationship to landscape, storytelling and belief systems around mortality are inseparably linked to one other.
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June 6 – September 8, 2019
“Deserto-Modelo” is the title of the Fridericianum’s presentation of the first larger-scale institutional solo show by the artist Lucas Arruda, who was born in São Paulo in 1983. Arruda’s work comprises paintings, prints, light installations, slide projections and films.
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June 6 – September 8, 2019
For more than six decades now, Ron Nagle has been producing works characterized by the fact that they manifest a maximum height of 20 cm. Despite their limited heights, these works, made among other things of ceramics, plastics, glazing agents and car paint, boast a presence and an effect which could hardly be more impressive.
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