Press
Photo CreditPRESS CONTACT
On this page, we have compiled all media-related information and press documents regarding exhibitions at the Fridericianum. Please contact us if you have any questions, require additional material, or would like to schedule an interview:
Press Contact:
Communications, Fridericianum
Carina Wolf
press@fridericianum.org | +49 561 70727-3016
Logos
Next press events
Peter Fischli – Press preview: Thursday, May 21, 2026, 11.30 am
Mohammed Sami – Press preview: Thursday, October 1, 2026, 11.30 am
Presskits
Download presskit Catherine Opie THE PAUSE THAT DREAMS AGAINST ERASURE
Download presskit Portia Zvavahera
Download presskit Mario García Torres A HISTORY OF INFLUENCE
Press Releases
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Jun 15, 2023,
Kerstin Brätsch at the FridericianumKerstin Brätsch
MIMIKRY
Press Preview: Thursday, January 19, 2023, 11.30 am
Speaker:
Moritz Wesseler, Director of the Fridericianum.
Kerstin Brätsch is available for questions.
We look forward to your participation. Please register under press@fridericianum.org.
Press release: Kerstin Brätsch
Opening: Friday, January 20, 7 pm
The Fridericianum presents MIMIKRY by Kerstin Brätsch, the most recent work in its series of interventions. Specially developed for the rotunda at the heart of the kunsthalle, the complex, expansive installation by this Hamburg-born artist forms the new surroundings of the café located there. It follows café installations realized by Brätsch at the Museum of Modern Art in New York in 2019 and the LUMA Foundation in Arles in 2021.
MIMIKRY reflects a piece of Earth’s history whose colossal dimensions form the scarcely comprehensible context of human existence. Rocks, sediments, and fossils become a functional part of the café’s interior as wallpaper, window curtains, translucent room dividers, and sculptural tables. The past is pulled into the present—an impression reinforced by numerous depictions of dinosaurs. The past, whose deposits Brätsch reconstructs using contemporary materials, includes planetary prehistory as well as the artist’s own work history. The installation’s title picks up on this dovetailing. Mimicry refers to the imitation of visual, auditory, or olfactory signals by living beings to deceive other living beings for survival. In MIMIKRY, the artist performs this process figuratively upon herself. The patterns, ornamentation, and surface structures of the installation reference earlier works that themselves take imitation as their theme. These are, on one hand, the marblings from the series Unstable Talismanic Renderings (2014–present), which simulate rock formations, among other things. On the other hand, these are the motifs reminiscent of petrified brushstrokes from the Fossil Psychics (Stucco Marmo) series (2017–present), which at the Fridericianum are printed onto polymorphic tabletops of cast stone that rest on colorful iridescent legs. Toying with imitation, materials reflecting the most varied qualities, and diverse production processes, Brätsch “sediments” her painterly practice and explores artistic survival strategies. On the borderline between art and functional design, she meets the viewer with a twinkle in her eye as an eminently contemporary dinosaur. Hence, MIMIKRY not only invites visitors of all ages to linger. It also offers audiencesan unusual engagement with time and temporality, as well as with questions about the nature of art. -
Dec 9, 2021, Press Release
Moritz Wesselerʼs Tenure as Fridericianum Director now Extendeddocumenta und Museum Fridericianum gGmbH is delighted to announce that Moritz Wesseler’s tenure as Director of the Fridericianum has been extended by its Supervisory Board to 2027.
Since 2019 Wesseler has presented in Kassel highly acclaimed solo exhibitions by artists who previously had not been offered a broad platform in Germany in an institutional context – such as Ron Nagle, Rachel Rose or Tarek Atoui. With this specific focus he consolidates and enhances the status of the North Hessian metropolis as a location for artistic and creative innovation and experimentation.
A further focal point of his activities is the elaboration and implementation of retrospective exhibitions on historical stances. For instance, the to date most comprehensive show on the creativity of the “visionary painter” Forrest Bess presented an artistic position that is of great relevance for numerous artists as well as for the pressing socio-political discourses of the present.
The various exhibition projects are accompanied by multifaceted educational and event programs tailored to different ages and interest groups. These are held in the form of guided tours, lectures or workshops at the Fridericianum, as well as via podcasts and interview or documentary films in the digital space. The institution’s activities are thus made even more visible on an international level and sustainably rooted in people’s consciousness. This phenomenon could be seen, for example, on US election day 2020 in the illumination of the Fridericianum by filmmaker and painter Trisha Baga, which received attention far beyond Germany’s borders.
Currently, the Kunsthalle is presenting solo exhibitions by the artists Toba Khedoori and Martine Syms. For the period following documenta fifteen, Wesseler is planning, amongst other things, to leverage the building and adjacent Friedrichsplatz even more comprehensively with site-specific interventions such as the so-called “green Greta” by Alexandra Bircken, in parallel to diverse and international exhibitions.
Press Images
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Fridericianum
Mohammed Sami
October 3, 2026
Mohammed Sami: The Basement, 2025
Foto / Photo: Modern Art
© Mohammed Sami
Courtesy der Künstler / the artist & Modern Art, London
Mohammed Sami: The Basement, 2025
Foto / Photo: Modern Art
© Mohammed Sami
Courtesy der Künstler / the artist & Modern Art, London
Mohammed Sami: The Basement (Detail), 2025
Foto / Photo: Modern Art
© Mohammed Sami
Courtesy der Künstler / the artist & Modern Art, London
Mohammed Sami: The Basement (Detail), 2025
Foto / Photo: Modern Art
© Mohammed Sami
Courtesy der Künstler / the artist & Modern Art, London
Mohammed Sami: The Basement (Detail), 2025
Foto / Photo: Modern Art
© Mohammed Sami
Courtesy der Künstler / the artist & Modern Art, London
Mohammed Sami: The Basement (Detail), 2025
Foto / Photo: Modern Art
© Mohammed Sami
Courtesy der Künstler / the artist & Modern Art, London
Mohammed Sami: The Basement, 2025
Foto / Photo: Modern Art
© Mohammed Sami
Courtesy der Künstler / the artist & Modern Art, London
Raque Ford
March 13, 2026
Raque Ford: The only one willing to do the hard part, 2026 (Installationsansicht / Installation view Fridericianum, Kassel).
Foto / Photo: Nicolas Wefers © Raque Ford, documenta und Museum Fridericianum gGmbH
Raque Ford: The only one willing to do the hard part, 2026 (Installationsansicht / Installation view Fridericianum, Kassel).
Foto / Photo: Nicolas Wefers © Raque Ford, documenta und Museum Fridericianum gGmbH
Raque Ford: The only one willing to do the hard part, 2026 (Installationsansicht / Installation view Fridericianum, Kassel).
Foto / Photo: Nicolas Wefers © Raque Ford, documenta und Museum Fridericianum gGmbH
Raque Ford: The only one willing to do the hard part, 2026 (Installationsansicht / Installation view Fridericianum, Kassel).
Foto / Photo: Nicolas Wefers © Raque Ford, documenta und Museum Fridericianum gGmbH
Raque Ford: The only one willing to do the hard part, 2026 (Installationsansicht / Installation view Fridericianum, Kassel).
Foto / Photo: Nicolas Wefers © Raque Ford, documenta und Museum Fridericianum gGmbH
Raque Ford: The only one willing to do the hard part, 2026 (Installationsansicht / Installation view Fridericianum, Kassel).
Foto / Photo: Nicolas Wefers © Raque Ford, documenta und Museum Fridericianum gGmbH
Raque Ford: The only one willing to do the hard part, 2026 (Installationsansicht / Installation view Fridericianum, Kassel).
Foto / Photo: Nicolas Wefers © Raque Ford, documenta und Museum Fridericianum gGmbH
Raque Ford: The only one willing to do the hard part, 2026 (Installationsansicht / Installation view Fridericianum, Kassel).
Foto / Photo: Nicolas Wefers © Raque Ford, documenta und Museum Fridericianum gGmbH
Raque Ford, 2026 (Eröffnung der ortsspezifischen Intervention / Opening of the site-specific intervention The only one willing to do the hard part, Fridericianum, Kassel).
Foto / Photo: Nicolas Wefers © Raque Ford, documenta und Museum Fridericianum gGmbH
Catherine Opie
February 14, 2026
Catherine Opie: Untitled #6 (Icehouses), Untitled #7 (Icehouses) & Untitled #8 (Icehouses), 2001; Untitled #2 (Surfers), Untitled #1 (Surfers) & Untitled #3 (Surfers), 2003 (Installation view / Installationsansicht Fridericianum, Kassel, 2026).
Photo / Foto: Andrea Rossetti © Catherine Opie, documenta und Museum Fridericianum gGmbH
Catherine Opie: Untitled #3 (Surfers) & Untitled #4 (Surfers), 2003 (Installation view / Installationsansicht Fridericianum, Kassel, 2026)
Photo / Foto: Andrea Rossetti © Catherine Opie, documenta und Museum Fridericianum gGmbH
Catherine Opie: Untitled #8 (Swamps) & Untitled #5 (Swamps), 2019 (Installation view / Installationsansicht Fridericianum, Kassel, 2026)
Photo / Foto: Andrea Rossetti © Catherine Opie, documenta und Museum Fridericianum gGmbH
Catherine Opie: The National Memorial for Peace and Justice, Montgomery, Alabama, New Orleans, Louisiana; Breonna Taylor Memorial, Louisville, Kentucky, Family Portrait, Robert E. Lee Monument, Richmond, Virginia & LAPD and BLM protest, Los Angeles, Roadtrip Notes, Monument Map, 2020 (Installation view / Installationsansicht Fridericianum, Kassel, 2026)
Photo / Foto: Andrea Rossetti © Catherine Opie, documenta und Museum Fridericianum gGmbH
Catherine Opie: Sunset #9, Sunrise #8, Sunset #8, Sunset #3 & Sunrise #6, 2009 (Installation view / Installationsansicht Fridericianum, Kassel, 2026)
Photo / Foto: Andrea Rossetti © Catherine Opie, documenta und Museum Fridericianum gGmbH
Catherine Opie: Untitled #9, 2013 (Installation view / Installationsansicht Fridericianum, Kassel, 2026)
Photo / Foto: Andrea Rossetti © Catherine Opie, documenta und Museum Fridericianum gGmbH
Catherine Opie: Untitled #10, 2013; AB101 Demonstration, 1991, 1991/2024 & Untitled #12, 2015 (Installation view / Installationsansicht Fridericianum, Kassel, 2026)
Photo / Foto: Andrea Rossetti © Catherine Opie, documenta und Museum Fridericianum gGmbH
Catherine Opie: Self-Portrait/Nursing, 2004; Frankie, 1995; Jo, 1993 & Crystal, 1990 (Installation view / Installationsansicht Fridericianum, Kassel, 2026)
Photo / Foto: Andrea Rossetti © Catherine Opie, documenta und Museum Fridericianum gGmbH
Catherine Opie: Untitled #5 (Peace March, Los Angeles, CA), 2007; Untitled #1 (Immigration March, Los Angeles, CA), 2006; Untitled #1 (Tea Party Portrait), 2010 & Untitled #5 (Inauguration Portrait), 2009 (Installation view / Installationsansicht Fridericianum, Kassel, 2026)
Photo / Foto: Andrea Rossetti © Catherine Opie, documenta und Museum Fridericianum gGmbH
Catherine Opie: Dyke, 1993; Robert Blanchon, 1996 & Raelyn Gallina, 1994 (Installation view / Installationsansicht Fridericianum, Kassel, 2026)
Photo / Foto: Andrea Rossetti © Catherine Opie, documenta und Museum Fridericianum gGmbH
Catherine Opie: Untitled #1 (monument/monumental), Untitled #2 (monument/monumental), Untitled #3 (monument/monumental), Untitled #4 (monument/monumental), Untitled #5 (monument/monumental), Untitled #6 (monument/monumental) & Untitled #7 (monument/monumental), 2020, (Installation view / Installationsansicht Fridericianum, Kassel, 2026)
Photo / Foto: Andrea Rossetti © Catherine Opie, documenta und Museum Fridericianum gGmbH
Catherine Opie: Untitled #5 (Norway Mountain), Untitled #7 (Norway Mountain), Untitled #9 (Norway Mountain) & Untitled #10 (Norway Mountain), 2024 (Installation view / Installationsansicht Fridericianum, Kassel, 2026)
Photo / Foto: Andrea Rossetti © Catherine Opie, documenta und Museum Fridericianum gGmbH
Catherine Opie: Pig Pen, 1993
© Catherine Opie
Courtesy die Künstlerin / the artist; Regen Projects, Los Angeles; Lehmann Maupin, New York, Hong Kong, London, and Seoul; Thomas Dane Gallery & Peder Lund, Oslo
Catherine Opie: Dyke, 1993
© Catherine Opie
Courtesy die Künstlerin / the artist; Regen Projects, Los Angeles; Lehmann Maupin, New York, Hong Kong, London, and Seoul; Thomas Dane Gallery & Peder Lund, Oslo
Catherine Opie: Untitled #1 (Jan. 20th, 2009), 2009
© Catherine Opie
Courtesy die Künstlerin / the artist; Regen Projects, Los Angeles; Lehmann Maupin, New York, Hong Kong, London, and Seoul; Thomas Dane Gallery & Peder Lund, Oslo
Catherine Opie: Sunset #8, 2010
© Catherine Opie
Courtesy die Künstlerin / the artist; Regen Projects, Los Angeles; Lehmann Maupin, New York, Hong Kong, London, and Seoul; Thomas Dane Gallery & Peder Lund, Oslo
Catherine Opie: Mural by Stosh Fila (aka Pig Pen), 2016
© Catherine Opie
Courtesy die Künstlerin / the artist; Regen Projects, Los Angeles; Lehmann Maupin, New York, Hong Kong, London, and Seoul; Thomas Dane Gallery & Peder Lund, Oslo
Catherine Opie: Untitled #4, Richmond, Virginia (monument/monumental), 2020
© Catherine Opie
Courtesy die Künstlerin / the artist; Regen Projects, Los Angeles; Lehmann Maupin, New York, Hong Kong, London, and Seoul; Thomas Dane Gallery & Peder Lund, Oslo
Catherine Opie: Untitled #9 (Norway Mountain), 2024
© Catherine Opie
Courtesy die Künstlerin / the artist; Regen Projects, Los Angeles; Lehmann Maupin, New York, Hong Kong, London, and Seoul; Thomas Dane Gallery & Peder Lund, Oslo
Catherine Opie: Sheats-Goldstein #1 (The Modernist), 2016
© Catherine Opie
Courtesy die Künstlerin / the artist; Regen Projects, Los Angeles; Lehmann Maupin, New York, Hong Kong, London, and Seoul; Thomas Dane Gallery & Peder Lund, Oslo
Catherine Opie, 2014
Foto / Photo: Heather Rasmussen
© Catherine Opie
Courtesy die Künstlerin / the artist, Regen Projects, Los Angeles; Lehmann Maupin, New York, Hong Kong, London, and Seoul & Thomas Dane Gallery
Portia Zvavahera
September 27, 2025
Portia Zvavahera: Woman in pain, 2021; Fighting Energies 2, 2024; Muchamupupuri (Into the whirlwind), 2020 & Vachengeti vangu (My guardian), 2020
(v.l.n.r. / left to right; Installationsansicht / Installation view Fridericianum, Kassel, 2025)
Foto / Photo: Andrea Rossetti
© Portia Zvavahera, documenta und Museum Fridericianum gGmbH
Portia Zvavahera: Imba Yerumbidzo, 2024
(Installationsansicht / Installation view Fridericianum, Kassel, 2025)
Foto / Photo: Andrea Rossetti
© Portia Zvavahera, documenta und Museum Fridericianum gGmbH
Portia Zvavahera: Imba Yerumbidzo, 2024 & Vanegumi ramazana vachawa, 2024
(v.l.n.r. / left to right; Installationsansicht / Installation view Fridericianum, Kassel, 2025)
Foto / Photo: Andrea Rossetti
© Portia Zvavahera, documenta und Museum Fridericianum gGmbH
Portia Zvavahera: Vachengeti vangu (My guardian), 2020; Imba Yerumbidzo, 2024; Vanegumi ramazana vachawa, 2024 & Woman in pain, 2021
(v.l.n.r. / left to right; Installationsansicht / Installation view Fridericianum, Kassel, 2025)
Foto / Photo: Andrea Rossetti
© Portia Zvavahera, documenta und Museum Fridericianum gGmbH
Portia Zvavahera: Cosmic Prayer, 2019; Ndirikuda kubuda (I want to come out), 2021 & Muchamupupuri (Into the whirlwind), 2020
(v.l.n.r. / left to right; Installationsansicht / Installation view Fridericianum, Kassel, 2025)
Foto / Photo: Andrea Rossetti
© Portia Zvavahera, documenta und Museum Fridericianum gGmbH
Portia Zvavahera: Woman in pain, 2021; Zvandaona, 2021 & Cosmic Prayer, 2019
(v.l.n.r. / left to right; Installationsansicht / Installation view Fridericianum, Kassel, 2025)
Foto / Photo: Andrea Rossetti
© Portia Zvavahera, documenta und Museum Fridericianum gGmbH
Portia Zvavahera: Imba Yerumbidzo, 2024; Vanegumi ramazana vachawa, 2024 & Tawana mhinduro, 2019
(v.l.n.r. / left to right; Installationsansicht / Installation view Fridericianum, Kassel, 2025)
Foto / Photo: Andrea Rossetti
© Portia Zvavahera, documenta und Museum Fridericianum gGmbH
Portia Zvavahera: Tawana mhinduro, 2019; Vachengeti vangu (My guardian), 2020 & Vanegumi ramazana vachawa, 2024
(v.l.n.r. / left to right; Installationsansicht / Installation view Fridericianum, Kassel, 2025)
Foto / Photo: Andrea Rossetti
© Portia Zvavahera, documenta und Museum Fridericianum gGmbH
Portia Zvavahera: Tawana mhinduro, 2019
(Installationsansicht / Installation view Fridericianum, Kassel, 2025)
Foto / Photo: Andrea Rossetti
© Portia Zvavahera, documenta und Museum Fridericianum gGmbH
Portia Zvavahera: Tawana mhinduro, 2019
(Installationsansicht / Installation view Fridericianum, Kassel, 2025)
Foto / Photo: Andrea Rossetti
© Portia Zvavahera, documenta und Museum Fridericianum gGmbH
Portia Zvavahera: Tawana mhinduro, 2019
(Installationsansicht / Installation view Fridericianum, Kassel, 2025)
Foto / Photo: Andrea Rossetti
© Portia Zvavahera, documenta und Museum Fridericianum gGmbH
Portia Zvavahera: Cosmic Prayer, 2019
Foto / Photo: Mario Todeschini
© Portia Zvavahera
Courtesy die Künstlerin / the artist, Stevenson und / and David Zwirner
Portia Zvavahera: Vachengeti vangu (My guardian), 2020
Foto / Photo: Mario Todeschini
© Portia Zvavahera
Courtesy die Künstlerin / the artist, Stevenson und / and David Zwirner
Portia Zvavahera: Fighting Energies 2, 2024
Foto / Photo: Jack Hems
© Portia Zvavahera
Courtesy die Künstlerin / the artist, Stevenson und / and David Zwirner
Portia Zvavahera: Tawana mhinduro, 2019
Foto / Photo: Jack Hems
© Portia Zvavahera
Courtesy die Künstlerin / the artist, Stevenson und / and David Zwirner
Portia Zvavahera: Muchamupupuri (Into the whirlwind), 2020
Foto / Photo: Jack Hems
© Portia Zvavahera
Courtesy die Künstlerin / the artist, Stevenson und / and David Zwirner
Portia Zvavahera: Ndirikuda kubuda (I want to come out), 2021
Foto / Photo: Jack Hems
© Portia Zvavahera
Courtesy die Künstlerin / the artist, Stevenson und / and David Zwirner
Portia Zvavahera: Vanegumi ramazana vachawa, 2024
Foto / Photo: Jack Hems
© Portia Zvavahera
Courtesy die Künstlerin / the artist, Stevenson und / and David Zwirner
Portia Zvavahera in ihrem Studio / in her studio, 2023
Foto / Photo: Gianluigi Guercia
© Portia Zvavahera Courtesy die Künstlerin / the artist, Stevenson und / and David Zwirner
Robert Grosvenor
August 30, 2025
Robert Grosvenor: 3 Wheeled Car, 1969
(Installationsansicht / Installation view Fridericianum, Kassel)
Foto / Photo: Andrea Rossetti
© Robert Grosvenor, documenta und Museum Fridericianum gGmbH
Robert Grosvenor: Topanga, 1965
(Installationsansicht / Installation view Fridericianum, Kassel)
Foto / Photo: Andrea Rossetti
© Robert Grosvenor, documenta und Museum Fridericianum gGmbH
Robert Grosvenor: Untitled, 1987–1988
(Installationsansicht / Installation view Fridericianum, Kassel)
Foto / Photo: Andrea Rossetti
© Robert Grosvenor, documenta und Museum Fridericianum gGmbH
Robert Grosvenor: Quadrum, 2005–2006
(Installationsansicht / Installation view Fridericianum, Kassel)
Foto / Photo: Andrea Rossetti
© Robert Grosvenor, documenta und Museum Fridericianum gGmbH
Robert Grosvenor: Untitled, 2009
(Installationsansicht / Installation view Fridericianum, Kassel)
Foto / Photo: Andrea Rossetti
© Robert Grosvenor, documenta und Museum Fridericianum gGmbH
Robert Grosvenor
(Installationsansicht / Installation view Fridericianum, Kassel; Archivmaterial / archival material, documenta archiv)
Foto / Photo: Andrea Rossetti
© Robert Grosvenor, documenta und Museum Fridericianum gGmbH
Robert Grosvenor
(Installationsansicht / Installation view Fridericianum, Kassel; Archivmaterial / archival material, documenta archiv)
Foto / Photo: Andrea Rossetti
© Robert Grosvenor, documenta und Museum Fridericianum gGmbH
Robert Grosvenor: Untitled, 1976–77 & Untitled, 1971
(Installationsansicht / Installation view Fridericianum, Kassel)
Foto / Photo: Andrea Rossetti
© Robert Grosvenor, documenta und Museum Fridericianum gGmbH
Robert Grosvenor: Untitled, 1970; Untitled, 2009 & Untitled, 1976–77
(Installationsansicht / Installation view Fridericianum, Kassel)
Foto / Photo: Andrea Rossetti
© Robert Grosvenor, documenta und Museum Fridericianum gGmbH
Robert Grosvenor: Unbetitelte Werkgruppe / Untitled group of works, 2020–2025
(Installationsansicht / Installation view Fridericianum, Kassel)
Foto / Photo: Andrea Rossetti
© Robert Grosvenor, documenta und Museum Fridericianum gGmbH
Robert Grosvenor: Untitled, 1990–2015 & Untitled, 2021
(Installationsansicht / Installation view Fridericianum, Kassel)
Foto / Photo: Andrea Rossetti
© Robert Grosvenor, documenta und Museum Fridericianum gGmbH
Robert Grosvenor: Untitled, 2021
Foto / Photo: © Robert Grosvenor
Courtesy der Künstler / the artist; Paula Cooper Gallery, New York und / and Galerie Greta Meert, Brüssel / Brussels
Robert Grosvenor: Untitled, 2021
Foto / Photo: © Robert Grosvenor
Courtesy der Künstler / the artist; Paula Cooper Gallery, New York und / and Galerie Greta Meert, Brüssel / Brussels
Robert Grosvenor: Untitled, 2021
Foto / Photo: © Robert Grosvenor
Courtesy der Künstler / the artist; Paula Cooper Gallery, New York und / and Galerie Greta Meert, Brüssel / Brussels
Robert Grosvenor: Untitled, 2015–2019
Foto / Photo: def image
© Robert Grosvenor
Courtesy der Künstler / the artist; Paula Cooper Gallery, New York und / and Galerie Max Hetzler Berlin | Paris | London | Marfa
Robert Grosvenor: Untitled, 2020
Foto / Photo: Steven Probert
© Robert Grosvenor
Courtesy der Künstler / the artist und / and Paula Cooper Gallery, New York
Robert Grosvenor: Untitled, 2009
(Installationsansicht / Installation view Whitney Biennial 2010, Whitney Museum of American Art, New York)
Foto / Photo: Ellen Page Wilson
© Robert Grosvenor
Courtesy der Künstler / the artist; Paula Cooper Gallery, New York und / and Whitney Museum of American Art, New York
Robert Grosvenor: Quadrum (Detail / detail), 2005–2006
Foto / Photo: Steven Probert
© Robert Grosvenor
Courtesy der Künstler / the artist und / and Paula Cooper Gallery, New York
Robert Grosvenor: Untitled, 1991
Foto / Photo: Steven Probert
© Robert Grosvenor
Courtesy der Künstler / the artist und / and Paula Cooper Gallery, New York
Robert Grosvenor: Untitled, 1987–1988
(Installationsansicht / Installation view ‘Robert Grosvenor’, Fundação de Serralves – Museu de Arte Contemporânea, Porto, Portugal, 4.2.–17.4.2005)
Foto / Photo: Rita Burmester
© Robert Grosvenor
Courtesy der Künstler / the artist; Paula Cooper Gallery, New York und / and Fundação de Serralves, Porto, Portugal
Robert Grosvenor: Untitled, 1986–1987
Foto / Photo: © Robert Grosvenor
Courtesy der Künstler / the artist; Paula Cooper Gallery, New York und / and Whitney Museum of American Art, New York
Robert Grosvenor: Untitled, 1976–1977
Foto / Photo: Steven Probert
© Robert Grosvenor
Courtesy der Künstler / the artist und / and Paula Cooper Gallery, New York
Robert Grosvenor, Frühling / spring 1969
Foto / Photo: John Ferrari
Courtesy der Künstler / the artist und / and Paula Cooper Gallery, New York
Cosima von Bonin
June 7, 2025
Cosima von Bonin: May & June 1 + Smoke (CvB & Michel Würthle), 2008–2010
(Installationsansicht / Installation view Fridericianum, Kassel)
Foto / Photo: Nicolas Wefers
© Cosima von Bonin, documenta und Museum Fridericianum gGmbH
Cosima von Bonin: May & June 1 + Smoke (CvB & Michel Würthle), 2008–2010
(Installationsansicht / Installation view Fridericianum, Kassel)
Foto / Photo: Nicolas Wefers
© Cosima von Bonin, documenta und Museum Fridericianum gGmbH
Cosima von Bonin: 7000 Palmen, 2025
(Kunstwerk zum Mitnehmen / Artwork to take home)
Foto / Photo: Nicolas Wefers
© Cosima von Bonin, documenta und Museum Fridericianum gGmbH
Cosima von Bonin: 7000 Palmen, 2025
(Kunstwerk zum Mitnehmen / Artwork to take home)
Foto / Photo: Nicolas Wefers
© Cosima von Bonin, documenta und Museum Fridericianum gGmbH
Cosima von Bonin: 7000 Palmen, 2025
(Kunstwerk zum Mitnehmen / Artwork to take home)
Foto / Photo: Nicolas Wefers
© Cosima von Bonin, documenta und Museum Fridericianum gGmbH
Cosima von Bonin: 7000 Palmen, 2025
(Kunstwerk zum Mitnehmen / Artwork to take home)
Foto / Photo: Nicolas Wefers
© Cosima von Bonin, documenta und Museum Fridericianum gGmbH
Cosima von Bonin: 7000 Palmen, 2025
(Installationsansicht / Installation view Fridericianum, Kassel)
Foto / Photo: Nicolas Wefers
© Cosima von Bonin, documenta und Museum Fridericianum gGmbH
Cosima von Bonin: 7000 Palmen, 2025
(Installationsansicht / Installation view Fridericianum, Kassel)
Foto / Photo: Nicolas Wefers
© Cosima von Bonin, documenta und Museum Fridericianum gGmbH
Cosima von Bonin: 7000 Palmen, 2025
(Installationsansicht / Installation view, Kassel)
Foto / Photo: Nicolas Wefers
© Cosima von Bonin, documenta und Museum Fridericianum gGmbH
Cosima von Bonin: 7000 Palmen, 2025
(Installationsansicht / Installation view, Kassel)
Foto / Photo: Nicolas Wefers
© Cosima von Bonin, documenta und Museum Fridericianum gGmbH
Cosima von Bonin: 7000 Palmen, 2025
(Installationsansicht / Installation view Fridericianum, Kassel)
Foto / Photo: Nicolas Wefers
© Cosima von Bonin, documenta und Museum Fridericianum gGmbH
Cosima von Bonin: 7000 Palmen, 2025
(Installationsansicht / Installation view Fridericianum, Kassel)
Foto / Photo: Nicolas Wefers
© Cosima von Bonin, documenta und Museum Fridericianum gGmbH
Cosima von Bonin: 7000 Palmen, 2025
(Installationsansicht / Installation view Fridericianum, Kassel)
Foto / Photo: Nicolas Wefers
© Cosima von Bonin, documenta und Museum Fridericianum gGmbH
Cosima von Bonin: 7000 Palmen, 2025
(Installationsansicht / Installation view Fridericianum, Kassel)
Foto / Photo: Nicolas Wefers
© Cosima von Bonin, documenta und Museum Fridericianum gGmbH
Cosima von Bonin: 7000 Palmen, 2025
(Installationsansicht / Installation view Fridericianum, Kassel)
Foto / Photo: Nicolas Wefers
© Cosima von Bonin, documenta und Museum Fridericianum gGmbH
Cosima von Bonin: 7000 Palmen, 2025
© Cosima von Bonin, documenta und Museum Fridericianum gGmbH
Cosima von Bonin: 7000 Palmen, 2025
© Cosima von Bonin, documenta und Museum Fridericianum gGmbH
Cosima von Bonin: 7000 Palmen, 2025
© Cosima von Bonin, documenta und Museum Fridericianum gGmbH
Cosima von Bonin: 7000 Palmen, 2025
© Cosima von Bonin, documenta und Museum Fridericianum gGmbH
Cosima von Bonin: 7000 Palmen, 2025
© Cosima von Bonin, documenta und Museum Fridericianum gGmbH
Cosima von Bonin: How To Decorate Without Going Broke 1, 2024
Wolle, Baumwolle, Acryl
145 × 150,5 × 3 cm
Foto: Stefan Korte
© Cosima von Bonin
Courtesy die Künstlerin und Galerie Neu, Berlin
Mario García Torres
March 15, 2025
Mario García Torres: Cayendo juntos en el tiempo (Falling Together in Time), n.d.
(Installationsansicht / Installation view Fridericianum, Kassel)
Foto / Photo: Andrea Rossetti
© Mario García Torres, documenta und Museum Fridericianum gGmbH
Courtesy der Künstler / the artist; neugerriemschneider, Berlin
Mario García Torres: The Cordiality Paradox, n.d.
(Installationsansicht / Installation view Fridericianum, Kassel)
Foto / Photo: Andrea Rossetti
© Mario García Torres, documenta und Museum Fridericianum gGmbH
Courtesy der Künstler / the artist; neugerriemschneider, Berlin
Mario García Torres: A History of Influence
Mit den Werken / With the works:
Fragment of an Infinite Discourse, n.d.
Glas / glass
Städtische Galerie im Lenbachhaus und Kunstbau München
The Cordiality Paradox, n.d.
Animatronische Schildkröte, Glas, Bronze, Licht, Manuskript / Animatronic tortoise, glass, bronze, light, manuscript
(Installationsansicht / Installation view Fridericianum, Kassel)
Foto / Photo: Andrea Rossetti
© Mario García Torres, documenta und Museum Fridericianum gGmbH
Courtesy der Künstler / the artist; neugerriemschneider, Berlin
Mario García Torres: ¿Alguna vez has visto la nieve caer? (Have You Ever Seen the Snow?), 2010
Museo Nacional de Arte Reina Sofía, Madrid
(Installationsansicht / Installation view Fridericianum, Kassel)
Foto / Photo: Andrea Rossetti
© Mario García Torres, documenta und Museum Fridericianum gGmbH
Courtesy der Künstler / the artist; neugerriemschneider, Berlin
Mario García Torres: Manifestazione tangibile di una fantasia mentale, n.d.
(Installationsansicht / Installation view Fridericianum, Kassel)
Foto / Photo: Andrea Rossetti
© Mario García Torres, documenta und Museum Fridericianum gGmbH
Courtesy der Künstler / the artist; neugerriemschneider, Berlin
Mario García Torres: Manifestazione tangibile di una fantasia mentale, n.d.
(Installationsansicht / Installation view Fridericianum, Kassel)
Foto / Photo: Andrea Rossetti
© Mario García Torres, documenta und Museum Fridericianum gGmbH
Courtesy der Künstler / the artist; neugerriemschneider, Berlin
Mario García Torres: Xoco Está Aburrido (Xoco is bored), 2012
Museo de Arte Contemporáneo de Monterrey
(Installationsansicht / Installation view Fridericianum, Kassel)
Foto / Photo: Andrea Rossetti
© Mario García Torres, documenta und Museum Fridericianum gGmbH
Courtesy der Künstler / the artist; neugerriemschneider, Berlin
Mario García Torres: A History of Influence
Mit den Werken (v.l.n.r.) / With the works (left to right):
And I Said to Myself (An Incomplete Relationship of Music Genres with Corrido Tumbado at the Center,
As I Understand It), n.d.
Relationship of Urban Musicians According to Recorded Collaborations, n.d.
(Installationsansicht / Installation view Fridericianum, Kassel)
Foto / Photo: Andrea Rossetti
© Mario García Torres, documenta und Museum Fridericianum gGmbH
Courtesy der Künstler / the artist; neugerriemschneider, Berlin
Mario García Torres: Moonwalk (At Rigo’s Pace), 2006
(Installationsansicht / Installation view Fridericianum, Kassel)
Foto / Photo: Andrea Rossetti
© Mario García Torres, documenta und Museum Fridericianum gGmbH
Courtesy der Künstler / the artist; neugerriemschneider, Berlin
Mario García Torres: Merz, Rzemmmm, Zeeeeerm, Emrzzzzzz (At Fibonacci Pace), n.d.
(Installationsansicht / Installation view Fridericianum, Kassel)
Foto / Photo: Andrea Rossetti
© Mario García Torres, documenta und Museum Fridericianum gGmbH
Courtesy der Künstler / the artist; neugerriemschneider, Berlin
Mario García Torres: Moonwalk (At Rigo’s Pace)
2006
Foto / Photo: Estudio La Sombra
© Mario García Torres
Courtesy der Künstler / the artist; MUSAC, León; and neugerriemschneider, Berlin
Mario García Torres: An Impossible Crack in Reality
n.d.
Foto / Photo: Jens Ziehe, Berlin
© Mario García Torres
Courtesy der Künstler / the artist; neugerriemschneider, Berlin
Mario García Torres: Xoco está aburrido (Xoco is bored)
2021
(Installationsansicht / Installation view La poética del regreso, MARCO, Monterrey, MX, 12.03.2021–29.08.2021)
Foto / Photo: Estudio La Sombra
© Mario García Torres
Courtesy der Künstler / the artist und / and MARCO, Monterrey; Taka Ishii, Tokyo; josegarcia, Mexico; Jan Mot, Brussels; neugerriemschneider, Berlin
Mario García Torres: Relationship of Urban Musicians According to Recorded Collaborations
n.d. (MGT25/0006)
Acrylfarbe, Siebdruck und Wachs auf Leinwand / Acrylic, silkscreen and wax on canvas
170 × 131 cm
Foto / Photo: Omar Bocanegra, Mexico City
© Mario García Torres
Courtesy der Künstler / the artist; neugerriemschneider, Berlin
Mario García Torres: The Cordiality Paradox
n.d.
(Installationsansicht / Installation view, neugerriemschneider, Berlin)
Foto / Photo: Jens Ziehe, Berlin
© Mario García Torres
Courtesy der Künstler / the artist; neugerriemschneider, Berlin
Mario García Torres: Merz, Rzemmmm, Zeeeeerm, Emrzzzzzz (At Fibonacci Pace)
n.d.
(Filmstill / Video still)
© Mario García Torres
Courtesy der Künstler / the artist; neugerriemschneider, Berlin
Mario García Torres: Xoco, The Kid Who Loved Being Bored
2012
(Filmstill / Video still)
© Mario García Torres
Courtesy der Künstler / the artist; neugerriemschneider, Berlin
Mario García Torres: Xoco is bored
n.d.
Foto / Photo: Gustavo Garcia Villa
© Mario García Torres
Courtesy der Künstler / the artist; neugerriemschneider, Berlin
Lee Kit
January 25, 2025
Lee Kit: Sorry, if I talk too much.
2025
(Installationsansicht / Installation view His gaze has turned into disdain for those who are well-intentioned yet incapable. (A quiet day) Fridericianum, Kassel)
Foto / Photo: Andrea Rossetti
© Lee Kit, documenta und Museum Fridericianum gGmbH
Lee Kit: Sorry, if I talk too much.
2025
(Installationsansicht / Installation view His gaze has turned into disdain for those who are well-intentioned yet incapable. (A quiet day) Fridericianum, Kassel)
Foto / Photo: Andrea Rossetti
© Lee Kit, documenta und Museum Fridericianum gGmbH
Lee Kit: HIS GAZE HAS TURNED INTO DISDAIN FOR THOSE WHO ARE WELL-INTENTIONED YET INCAPABLE. (A QUIET DAY)
(Installationsansicht / Installation view Fridericianum, Kassel)
Foto / Photo: Andrea Rossetti
© Lee Kit, documenta und Museum Fridericianum gGmbH
Lee Kit: HIS GAZE HAS TURNED INTO DISDAIN FOR THOSE WHO ARE WELL-INTENTIONED YET INCAPABLE. (A QUIET DAY)
(Installationsansicht / Installation view Fridericianum, Kassel)
Foto / Photo: Andrea Rossetti
© Lee Kit, documenta und Museum Fridericianum gGmbH
Lee Kit: HIS GAZE HAS TURNED INTO DISDAIN FOR THOSE WHO ARE WELL-INTENTIONED YET INCAPABLE. (A QUIET DAY)
(Installationsansicht / Installation view Fridericianum, Kassel)
Foto / Photo: Andrea Rossetti
© Lee Kit, documenta und Museum Fridericianum gGmbH
Lee Kit: HIS GAZE HAS TURNED INTO DISDAIN FOR THOSE WHO ARE WELL-INTENTIONED YET INCAPABLE. (A QUIET DAY)
(Installationsansicht / Installation view Fridericianum, Kassel)
Foto / Photo: Andrea Rossetti
© Lee Kit, documenta und Museum Fridericianum gGmbH
Lee Kit: HIS GAZE HAS TURNED INTO DISDAIN FOR THOSE WHO ARE WELL-INTENTIONED YET INCAPABLE. (A QUIET DAY)
(Installationsansicht / Installation view Fridericianum, Kassel)
Foto / Photo: Andrea Rossetti
© Lee Kit, documenta und Museum Fridericianum gGmbH
Lee Kit: HIS GAZE HAS TURNED INTO DISDAIN FOR THOSE WHO ARE WELL-INTENTIONED YET INCAPABLE. (A QUIET DAY)
(Installationsansicht / Installation view Fridericianum, Kassel)
Foto / Photo: Andrea Rossetti
© Lee Kit, documenta und Museum Fridericianum gGmbH
Lee Kit: HIS GAZE HAS TURNED INTO DISDAIN FOR THOSE WHO ARE WELL-INTENTIONED YET INCAPABLE. (A QUIET DAY)
(Installationsansicht / Installation view Fridericianum, Kassel)
Foto / Photo: Andrea Rossetti
© Lee Kit, documenta und Museum Fridericianum gGmbH
Lee Kit: HIS GAZE HAS TURNED INTO DISDAIN FOR THOSE WHO ARE WELL-INTENTIONED YET INCAPABLE. (A QUIET DAY)
(Installationsansicht / Installation view Fridericianum, Kassel)
Foto / Photo: Andrea Rossetti
© Lee Kit, documenta und Museum Fridericianum gGmbH
Lee Kit: HIS GAZE HAS TURNED INTO DISDAIN FOR THOSE WHO ARE WELL-INTENTIONED YET INCAPABLE. (A QUIET DAY)
(Installationsansicht / Installation view Fridericianum, Kassel)
Foto / Photo: Andrea Rossetti
© Lee Kit, documenta und Museum Fridericianum gGmbH
Lee Kit: HIS GAZE HAS TURNED INTO DISDAIN FOR THOSE WHO ARE WELL-INTENTIONED YET INCAPABLE. (A QUIET DAY)
(Installationsansicht / Installation view Fridericianum, Kassel)
Foto / Photo: Andrea Rossetti
© Lee Kit, documenta und Museum Fridericianum gGmbH
Lee Kit: HIS GAZE HAS TURNED INTO DISDAIN FOR THOSE WHO ARE WELL-INTENTIONED YET INCAPABLE. (A QUIET DAY)
(Installationsansicht / Installation view Fridericianum, Kassel)
Foto / Photo: Andrea Rossetti
© Lee Kit, documenta und Museum Fridericianum gGmbH
Lee Kit: HIS GAZE HAS TURNED INTO DISDAIN FOR THOSE WHO ARE WELL-INTENTIONED YET INCAPABLE. (A QUIET DAY)
(Installationsansicht / Installation view Fridericianum, Kassel)
Foto / Photo: Andrea Rossetti
© Lee Kit, documenta und Museum Fridericianum gGmbH
Lee Kit: HIS GAZE HAS TURNED INTO DISDAIN FOR THOSE WHO ARE WELL-INTENTIONED YET INCAPABLE. (A QUIET DAY)
(Installationsansicht / Installation view Fridericianum, Kassel)
Foto / Photo: Andrea Rossetti
© Lee Kit, documenta und Museum Fridericianum gGmbH
Lee Kit: In Broad Daylight, 2024
(Installationsansicht / Installation view Forms of the Shadow, Secession, Wien / Vienna, 2024)
Digitale Videos, Verpackungsbänder, Sprühfarbe auf Edelstahl und Teppich, Maße variabel / Digital videos, packing tapes, spray paint on stainless steel and carpet
Dimensionen variabel / Dimensions variable
Foto / Photo: Iris Ranzinger
Courtesy der Künstler / the artist
Lee Kit: In Broad Daylight, 2024
(Installationsansicht / Installation view Forms of the Shadow, Secession, Wien / Vienna, 2024)
Digitale Videos, Verpackungsbänder, Sprühfarbe auf Edelstahl und Teppich, Maße variabel / Digital videos, packing tapes, spray paint on stainless steel and carpet
Dimensionen variabel / Dimensions variable
Foto / Photo: Iris Ranzinger
Courtesy der Künstler / the artist
Lee Kit: In Broad Daylight, 2024
(Installationsansicht / Installation view Forms of the Shadow, Secession, Wien / Vienna, 2024)
Digitale Videos, Verpackungsbänder, Sprühfarbe auf Edelstahl und Teppich, Maße variabel / Digital videos, packing tapes, spray paint on stainless steel and carpet
Dimensionen variabel / Dimensions variable
Foto / Photo: Iris Ranzinger
Courtesy der Künstler / the artist
Lee Kit: In Broad Daylight, 2024
(Installationsansicht / Installation view Forms of the Shadow, Secession, Wien / Vienna, 2024)
Digitale Videos, Verpackungsbänder, Sprühfarbe auf Edelstahl und Teppich, Maße variabel / Digital videos, packing tapes, spray paint on stainless steel and carpet
Dimensionen variabel / Dimensions variable
Foto / Photo: Iris Ranzinger
Courtesy der Künstler / the artist
Lee Kit: In Broad Daylight, 2024
(Installation view /Installationsansicht Forms of the Shadow, Secession, Wien / Vienna, 2024)
Digitale Videos, Verpackungsbänder, Sprühfarbe auf Edelstahl und Teppich, Maße variabel / Digital videos, packing tapes, spray paint on stainless steel and carpet
Dimensionen variabel / Dimensions variable
Foto / Photo: Iris Ranzinger
Courtesy der Künstler / the artist
Lee Kit: It does matter, 2019
Dispersions- und Acrylfarbe auf Karton mit Bronzenadeln / Emulsion and acrylic on cardboard with bronzed pins
55 × 46 cm
Courtesy der Künstler / the artist, mother’s tankstation, Dublin | London
Lee Kit: The surface of a mirror, 2018
Acryl- und Dispersionsfarbe, Tintenstrahltinte und Bleistift auf Karton / Acrylic and emulsion paint, inkjet ink, and pencil on cardboard
61 × 52.5 cm (d: 5 cm)
Courtesy der Künstler / the artist, mother’s tankstation, Dublin | London
Lee Kit: (Talk about__again and again.), 2018
Acryl- und Dispersionsfarbe, Tintenstrahltinte, Bronzenägel und Schrauben auf Karton / Acrylic and emulsion paint, inkjet ink, bronze nails and screws on cardboard
49.5 × 60 cm
Courtesy der Künstler / the artist, mother’s tankstation, Dublin | London
Lee Kit: It is what it is., 2018
Acryl- und Dispersionsfarbe, Tintenstrahltinte und Bleistift auf Karton / Acrylic and emulsion paint, inkjet ink, and pencil on cardboard
61 × 52 cm
Courtesy der Künstler / the artist, mother’s tankstation, Dublin | London
Lee Kit: 22 Celsius degree, 2018
Acryl- und Dispersionsfarbe, Tintenstrahltinte und Papier auf Holzfotorahmen / Acrylic and emulsion paint, inkjet ink, and paper on wooden photo frame
25.5 × 32 cm
Courtesy der Künstler / the artist, mother’s tankstation, Dublin | London
Lee Kit: A4, 2018
Acryl- und Dispersionsfarbe, Tintenstrahltinte und Bleistift auf Karton / Acrylic and emulsion paint, inkjet ink, and paper on cardboard
61 × 52 cm
Courtesy der Künstler / the artist, mother’s tankstation, Dublin | London
Lee Kit: Beautiful (without it), 2017
Acryl- und Dispersionsfarbe, Tintenstrahltinte und Papier auf Holzrahmen / Acrylic and emulsion paint, inkjet ink, and paper on wooden frame
30 × 35 cm
Courtesy der Künstler / the artist, mother’s tankstation, Dublin | London
Lee Kit: A picture, 2015
Dispersionsfarbe, Tintenstrahltinte, Bleistift und Korrekturflüssigkeit auf Kaschierpapier, readymade Objekt / Emulsion paint, inkjet ink, pencil, and correction fluid on lining, readymade object
Dimensionen variabel / Dimensions variable
Gemälde / Painting: 56 × 44.3 cm
Courtesy der Künstler / the artist, mother’s tankstation, Dublin | London
Lee Kit: Water drops, 2015
Dispersionsfarbe, Papier, Tintenstrahltinte, Korrekturflüssigkeit und Tinte auf Karton / Emulsion paint, paper, inkjet ink, correction fluid, and ink on cardboard
34,5 × 26 cm
Courtesy der Künstler / the artist, mother’s tankstation, Dublin | London
Lee Kit: Frankfurt, 2015
Acryl- und Dispersionsfarbe, Tintenstrahltinte und Bleistift auf Karton, readymade Objekt / Acrylic, emulsion paint, inkjet ink, and pencil on cardboard, readymade object
Dimensionen variabel /Dimensions variable
Gemälde / Painting: 51 × 40 cm
Courtesy der Künstler / the artist, mother’s tankstation, Dublin | London
Lee Kit: Equally unremarkable
2024
Digitalfoto / Digital image
Foto / Photo: Der Künstler / The artist
Lee Kit: Equally unremarkable
2024
Digitalfoto / Digital image
Foto / Photo: Der Künstler / The artist
Lee Kit: Scratching the table surface
2006–2011
Acryl auf Sperrholz / Acrylic on plywood, gebrauchsfertige Objekte / readymade objects; Fotodokument und 300 Postkarten / photo document and 300 postcards
Courtesy der Künstler / the artist, Vitamin Creative Space, Guangzhou, China
Lee Kit: Sunday Afternoon: Picnic with friends and hand-painted cloth at Yung Shu O, Sai Kung, Hong Kong.
2003
Acryl auf Textil / Acrylic on fabric, Fotodokument / photo document
Courtesy der Künstler / the artist
Lee Kit: 1st of July: Demonstration with friends and hand-painted cloth
2005
Acryl auf Textil / Acrylic on fabric, Fotodokument / photo document
Courtesy der Künstler / the artist
Melvin Edwards
August 31, 2024
Melvin Edwards: SOME BRIGHT MORNING
Film: Nana Adusei-Poku im Gespräch mit Melvin Edwards / Film: Nana Adusei-Poku in conversation with Melvin Edwards, 2024
(Ansicht Filmraum / Screening room view, Fridericianum, Kassel)
Foto / Photo: Andrea Rossetti
© documenta und Museum Fridericianum gGmbH
Melvin Edwards: SOME BRIGHT MORNING
Mit den Werken (v.l.n.r.) / With the works (left to right):
Untitled, 2004
Yene, 2004
Africanista Angle for Cobos, 1970–1980
Ginau Tabaski, 2006
(Installationsansicht / Installation view Fridericianum, Kassel)
Foto / Photo: Andrea Rossetti
© Melvin Edwards, documenta und Museum Fridericianum gGmbH
Courtesy Alexander Gray Associates, New York; Stephen Friedman Gallery, London; Galerie Buchholz, Berlin
Melvin Edwards: SOME BRIGHT MORNING
Mit den Werken / With the works:
Untitled, ca. 1974
Untitled, ca. 1974
(Installationsansicht / Installation view Fridericianum, Kassel)
Foto / Photo: Andrea Rossetti
© Melvin Edwards, documenta und Museum Fridericianum gGmbH
Courtesy Alexander Gray Associates, New York; Stephen Friedman Gallery, London; Galerie Buchholz, Berlin
Melvin Edwards: SOME BRIGHT MORNING
Mit den Werken (v.l.n.r.) / With the works (left to right):
Adeoli Goacoba, 1988
“Look through minds mirror distance and measure time” – Jayne Cortez, 1970
(Installationsansicht / Installation view Fridericianum, Kassel)
Foto / Photo: Andrea Rossetti
© Melvin Edwards, documenta und Museum Fridericianum gGmbH
Courtesy Alexander Gray Associates, New York; Stephen Friedman Gallery, London; Galerie Buchholz, Berlin
Melvin Edwards: SOME BRIGHT MORNING
Mit Werken der Serie / With works from the series:
Lynch Fragments, 1963–
(Installationsansicht / Installation view Fridericianum, Kassel)
Foto / Photo: Andrea Rossetti
© Melvin Edwards, documenta und Museum Fridericianum gGmbH
Courtesy Alexander Gray Associates, New York; Stephen Friedman Gallery, London; Galerie Buchholz, Berlin
Melvin Edwards: SOME BRIGHT MORNING
Mit Werken der Serie / With works from the series:
Lynch Fragments, 1963–
(Installationsansicht / Installation view Fridericianum, Kassel)
Foto / Photo: Andrea Rossetti
© Melvin Edwards, documenta und Museum Fridericianum gGmbH
Courtesy Alexander Gray Associates, New York; Stephen Friedman Gallery, London; Galerie Buchholz, Berlin
Melvin Edwards: SOME BRIGHT MORNING
Mit den Werken (v.l.n.r.) / With the works (left to right):
Tan Ton Dyminns, 1974
Augusta, 1974
Felton, 1974
(Installationsansicht / Installation view Fridericianum, Kassel)
Foto / Photo: Andrea Rossetti
© Melvin Edwards, documenta und Museum Fridericianum gGmbH
Courtesy Alexander Gray Associates, New York; Stephen Friedman Gallery, London; Galerie Buchholz, Berlin
Melvin Edwards: SOME BRIGHT MORNING
Mit dem Werk / With the work:
Para Nossa Conexão (For Our Connection), 2019
(Installationsansicht / Installation view Fridericianum, Kassel)
Foto / Photo: Andrea Rossetti
© Melvin Edwards, documenta und Museum Fridericianum gGmbH
Courtesy Alexander Gray Associates, New York; Stephen Friedman Gallery, London; Galerie Buchholz, Berlin
Melvin Edwards: SOME BRIGHT MORNING
Mit den Werken (vom Vordergrund nach hinten) / With the works (front to back):
Homage to the Poet Léon-Gontran Damas, 1978–1981
Some Bright Morning, 1963
(Installationsansicht / Installation view Fridericianum, Kassel)
Foto / Photo: Andrea Rossetti
© Melvin Edwards, documenta und Museum Fridericianum gGmbH
Courtesy Alexander Gray Associates, New York; Stephen Friedman Gallery, London; Galerie Buchholz, Berlin
Melvin Edwards: SOME BRIGHT MORNING
Mit dem Werk / With the work:
“Look through minds mirror distance and measure time” – Jayne Cortez, 1970
(Installationsansicht / Installation view Fridericianum, Kassel)
Foto / Photo: Nicolas Wefers
© Melvin Edwards, documenta und Museum Fridericianum gGmbH
Courtesy Alexander Gray Associates, New York; Stephen Friedman Gallery, London; Galerie Buchholz, Berlin
Melvin Edwards: SOME BRIGHT MORNING
Mit dem Werk / With the work:
Other Implications, 1970
Sammlung von / Collection of Lonti Ebers, New York
(Installationsansicht / Installation view Fridericianum, Kassel)
Foto / Photo: Nicolas Wefers
© Melvin Edwards, documenta und Museum Fridericianum gGmbH
Courtesy Alexander Gray Associates, New York; Stephen Friedman Gallery, London; Galerie Buchholz, Berlin
Melvin Edwards: SOME BRIGHT MORNING
Mit dem Werk / With the work:
“Look through minds mirror distance and measure time” – Jayne Cortez, 1970
(Installationsansicht / Installation view Fridericianum, Kassel)
Foto / Photo: Nicolas Wefers
© Melvin Edwards, documenta und Museum Fridericianum gGmbH
Courtesy Alexander Gray Associates, New York; Stephen Friedman Gallery, London; Galerie Buchholz, Berlin
Melvin Edwards: SOME BRIGHT MORNING
Mit Werken der Serie / With works from the series:
Lynch Fragments, 1963–
(Installationsansicht / Installation view Fridericianum, Kassel)
Foto / Photo: Nicolas Wefers
© Melvin Edwards, documenta und Museum Fridericianum gGmbH
Courtesy Alexander Gray Associates, New York; Stephen Friedman Gallery, London; Galerie Buchholz, Berlin
Melvin Edwards: SOME BRIGHT MORNING
Mit den Werken / With the works:
Untitled, ca. 1974
Aquarell und Tinte auf Papier / Watercolor and ink on paper
Coco Vari Providence, 2017
Stahl und Stacheldraht / Steel and barbed wire
(Installationsansicht / Installation view Fridericianum, Kassel)
Foto / Photo: Nicolas Wefers
© Melvin Edwards, documenta und Museum Fridericianum gGmbH
Melvin Edwards: SOME BRIGHT MORNING
Mit dem Werk / With the work:
Augusta, 1974
(Installationsansicht / Installation view Fridericianum, Kassel)
Foto / Photo: Nicolas Wefers
© Melvin Edwards, documenta und Museum Fridericianum gGmbH
Courtesy Alexander Gray Associates, New York; Stephen Friedman Gallery, London; Galerie Buchholz, Berlin
Melvin Edwards: SOME BRIGHT MORNING
Mit den Werken (v.l.n.r.) / With the works (left to right):
Agricole, 2016
Some Bright Morning, 1963
(Installationsansicht / Installation view Fridericianum, Kassel)
Foto / Photo: Nicolas Wefers
© Melvin Edwards, documenta und Museum Fridericianum gGmbH
Courtesy Alexander Gray Associates, New York; Stephen Friedman Gallery, London; Galerie Buchholz, Berlin
Melvin Edwards: SOME BRIGHT MORNING
Mit dem Werk / With the work:
Agricole, 2016
(Installationsansicht / Installation view Fridericianum, Kassel)
Foto / Photo: Nicolas Wefers
© Melvin Edwards, documenta und Museum Fridericianum gGmbH
Courtesy Alexander Gray Associates, New York; Stephen Friedman Gallery, London; Galerie Buchholz, Berlin
Melvin Edwards: SOME BRIGHT MORNING
Mit dem Werk / With the work:
Homage to Oba Ewuare II of Benin City, Nigeria, 2016–2017
(Installationsansicht / Installation view Fridericianum, Kassel)
Foto / Photo: Nicolas Wefers
© Melvin Edwards, documenta und Museum Fridericianum gGmbH
Courtesy Alexander Gray Associates, New York; Stephen Friedman Gallery, London; Galerie Buchholz, Berlin
Melvin Edwards: SOME BRIGHT MORNING
Mit den Werken (v.l.n.r.) / With the works (left to right):
Zim OK (Working in Zimbabwe), 1996
Homage to Oba Ewuare II of Benin City, Nigeria, 2016–2017
Adeoli Goacoba, 1988
(Installationsansicht / Installation view Fridericianum, Kassel)
Foto / Photo: Nicolas Wefers
© Melvin Edwards, documenta und Museum Fridericianum gGmbH
Courtesy Alexander Gray Associates, New York; Stephen Friedman Gallery, London; Galerie Buchholz, Berlin
Melvin Edwards: SOME BRIGHT MORNING
Mit dem Werk / With the work:
Adeoli Goacoba, 1988
(Installationsansicht / Installation view Fridericianum, Kassel)
Foto / Photo: Nicolas Wefers
© Melvin Edwards, documenta und Museum Fridericianum gGmbH
Courtesy Alexander Gray Associates, New York; Stephen Friedman Gallery, London; Galerie Buchholz, Berlin
Melvin Edwards: Melvin Edwards
Mit Werken aus der Serie / With works from the series: Lynch Fragments (1963–)
Installationsansicht / Installation view: Galerie Buchholz, Berlin 2017
© Der Künstler / The artist
Courtesy der Künstler / the artist; Alexander Gray Associates, New York; Stephen Friedman Gallery, London; Galerie Buchholz, Berlin
Porträt Melvin Edwards, 2023
Foto: Albrecht Fuchs
© Der Künstler / The artist, documenta und Museum Fridericianum gGmbH
Melvin Edwards: Untitled, 1974
Aquarell und Tinte auf Papier / Watercolor and ink on paper
46,4 × 61 cm
Foto / Photo: Stephen White & Co
© Der Künstler / The artist
Courtesy der Künstler / the artist; Alexander Gray Associates, New York; Stephen Friedman Gallery, London; Galerie Buchholz, Berlin
Melvin Edwards: Untitled, ca. 1974
Aquarell und Tinte auf Papier / Watercolor and ink on paper
46 × 61 cm
© Der Künstler / The artist
Courtesy der Künstler / the artist; Alexander Gray Associates, New York; Stephen Friedman Gallery, London; Galerie Buchholz, Berlin
Melvin Edwards: Untitled, ca. 1974
Aquarell und Tinte auf Papier / Watercolor and ink on paper
46 × 61 cm
Foto / Photo: Jens Ziehe
© Der Künstler / The artist
Courtesy der Künstler / the artist; Alexander Gray Associates, New York; Stephen Friedman Gallery, London; Galerie Buchholz, Berlin
Melvin Edwards: Some Bright Morning, 1963
Geschweißter Stahl / Welded steel
36.2 × 23.5 × 12.7 cm
© Der Künstler / The artist
Courtesy der Künstler / the artist; Alexander Gray Associates, New York; Stephen Friedman Gallery, London; Galerie Buchholz, Berlin
Melvin Edwards: La Luta, 2007
Geschweißter Stahl / Welded steel
33,5 × 28 × 19 cm
Foto / Photo: Mark Blower
© Der Künstler / The artist
Courtesy der Künstler / The artist; Alexander Gray Associates, New York; Stephen Friedman Gallery, London; Galerie Buchholz, Berlin
Melvin Edwards: I Remember, 1978
Geschweißter Stahl / Welded steel
64 x 25 x 24 cm
Foto / Photo: Mark Blower
© Der Künstler / The artist
Courtesy der Künstler / the artist; Alexander Gray Associates, New York; Stephen Friedman Gallery, London; Galerie Buchholz, Berlin
Melvin Edwards: Alteration, 2002
Geschweißter Stahl / Welded steel
25,4 × 15,2 × 15,2 cm
Foto / Photo: Jeffrey Sturges
© Der Künstler / The artist
Courtesy der Künstler / the artist; Alexander Gray Associates, New York; Stephen Friedman Gallery, London; Galerie Buchholz, Berlin
Melvin Edwards: Adeoli Goacoba, 1988
Edelstahl in 2 Teilen / Stainless steel in 2 parts
Teil 1 / Part 1: 297,2 × 195,6 × 119,4 cm; Teil 2 / Part 2: 207 × 222,3 × 91,4 cm
(Installationsansicht / Installation view: Melvin Edwards, Sam Gilliam, and William T. Williams: Epistrophy
April 1–April 30, 2022
540 West 25th Street, New York, NY 10001)
Foto / Photo: Kyle Knodell Photography courtesy Pace Gallery
© Der Künstler / The artist
Courtesy der Künstler / the artist; Alexander Gray Associates, New York; Stephen Friedman Gallery, London; Galerie Buchholz, Berlin
Ulla Wiggen
February 24, 2024
Ulla Wiggen: OUTSIDE / INSIDE
Mit den Werken (links nach rechts) / With the works (left to right):
Passage, 2016
Sammlung der Familie / Collection of Family Pataky, Courtesy Belenius, Stockholm
Golem I, 2016
Privatsammlung / Private collection, Stockholm
The face of mind, 2016
Statens konstråd
Iris XII, 2019
Privatsammlung / Private collection
(Installationsansicht / Installation view Fridericianum, Kassel)
Foto / Photo: Andrea Rossetti
© Ulla Wiggen, documenta und Museum Fridericianum gGmbH
Ulla Wiggen: OUTSIDE / INSIDE
Mit den Werken (links nach rechts) / With the works (left to right):
Passim, 2014
Courtesy Belenius, Stockholm
Procenum, 2013
Privatsammlung / Private collection, Sweden
Världsatlas III, 2017
Privatsammlung / Private collection
Gyrus, 2014
Privatsammlung, Schweden / Private collection, Sweden
Vestibulum, 2013
Firestorm Foundation
(Installationsansicht / Installation view Fridericianum, Kassel)
Foto / Photo: Andrea Rossetti
© Ulla Wiggen, documenta und Museum Fridericianum gGmbH
Ulla Wiggen: OUTSIDE / INSIDE
Mit den Werken (links nach rechts) / With the works (left to right):
Sfinx, 1969
Sammlung / Collection of Daniel Buchholz & Christopher Müller, Köln / Cologne
Radar, 1968
Region Stockholm County Council
Någonstans, 1969
Stockholm‘s city art collection
(Installationsansicht / Installation view Fridericianum, Kassel)
Foto / Photo: Andrea Rossetti
© Ulla Wiggen, documenta und Museum Fridericianum gGmbH
Ulla Wiggen: OUTSIDE / INSIDE
Mit den Werken (links nach rechts) / With the works (left to right):
Iris XXVIII Albin, 2023
Firestorm Foundation
Iris XIX Lena, 2021
Courtesy Belenius, Stockholm
Iris XVII Peter, 2020
Privatsammlung / Private collection, Sweden
(Installationsansicht / Installation view Fridericianum, Kassel)
Foto / Photo: Andrea Rossetti
© Ulla Wiggen, documenta und Museum Fridericianum gGmbH
Ulla Wiggen: OUTSIDE / INSIDE
Biografie von / Biography of Ulla Wiggen
(Installationsansicht / Installation view Fridericianum, Kassel)
Foto / Photo: Andrea Rossetti
© Ulla Wiggen, documenta und Museum Fridericianum gGmbH
Ulla Wiggen: OUTSIDE / INSIDE
Mit dem Werk / With the work: Den röda TV:n, 1967
Moderna Museet, Stockholm
(Installationsansicht / Installation view Fridericianum, Kassel)
Foto / Photo: Andrea Rossetti
© Ulla Wiggen, documenta und Museum Fridericianum gGmbH
Ulla Wiggen: OUTSIDE / INSIDE
Mit dem Werk / With the work: TRASK, 1967
Moderna Museet, Stockholm. Ankauf / Purchase 1968
(Installationsansicht / Installation view Fridericianum, Kassel)
Foto / Photo: Andrea Rossetti
© Ulla Wiggen, documenta und Museum Fridericianum gGmbH
Ulla Wiggen: OUTSIDE / INSIDE
Mit dem Werk / With the work: Horisonten, 1969
Sammlung des / Collection of the Norrköpings Konstmuseum
(Installationsansicht / Installation view Fridericianum, Kassel)
Foto / Photo: Andrea Rossetti
© Ulla Wiggen, documenta und Museum Fridericianum gGmbH
Ulla Wiggen: OUTSIDE / INSIDE
Mit dem Werk / With the work: Iris Hanna XIV, 2019
Moderna Museet, Stockholm. Ankauf 2020 gefördert durch die / Purchase 2020 funded by The Sten Eckedals and Majken Eckedals Foundation
(Installationsansicht / Installation view Fridericianum, Kassel)
Foto / Photo: Andrea Rossetti
© Ulla Wiggen, documenta und Museum Fridericianum gGmbH
OUTSIDE / INSIDE
Filmraum „Kino 2“: Von Venedig nach Kassel – Cecilia Alemani über Ulla Wiggen / Screening room „Cinema 2“: From Venice to Kassel – Cecilia Alemani about Ulla Wiggen, 2024
(Installationsansicht / Installation view Fridericianum, Kassel)
Foto / Photo: Andrea Rossetti
© documenta und Museum Fridericianum gGmbH
Ulla Wiggen: Iris XVIII Line, 2020, Acryl auf MDF / Acrylic on MDF, 113,5 × 119 cm, RAF SIMONS COLLECTION, Antwerpen / Antwerp, Foto / Photo: Jens Ziehe, Berlin, Courtesy Galerie Buchholz
Ulla Wiggen: Iris XII, 2019, Acryl auf MDF / Acrylic on MDF, 73 × 76 cm, Privatsammlung / Private collection, Foto / Photo: Lothar Schnepf, Courtesy Galerie Buchholz
Ulla Wiggen: Sfinx, 1969, Acryl auf Hartfaserplatte / Acrylic on masonite, 93 × 76 cm, Sammlung / Collection Daniel Buchholz und / and Christopher Müller, Köln / Cologne, Foto / Photo: Jens Ziehe, Berlin Courtesy Galerie Buchholz
Ulla Wiggen: Två, 2017, Acryl auf MDF / Acrylic on MDF, Sammlung von Hilde Retzlaff / Collection of Hilde Retzlaff, Stockholm, Foto / Photo: Die Künstlerin / The artist
Ulla Wiggen: Den röda TV:n, 1967, Acryl auf Hartfaserplatte / Acrylic on masonite, 89 × 116 cm, Moderna Museet, Stockholm. Übertragen 2013 von der / Transferred 2013 from Statens konstråd, Foto / Photo: Åsa Lundén, Moderna Museet-Stockholm
Ulla Wiggen: Passage, 2016, Acryl und Blattgold auf Leinwand / Acrylic and gold leaf on canvas, 75 × 90 cm, Sammlung der Familie Pataky / Collection of Family Pataky, Courtesy Belenius, Stockholm, Foto / Photo: Die Künstlerin / The artist
Ulla Wiggen: Simultantolkning, 1965, Acryl auf Hartfaserplatte / Acrylic on masonite, 110,3 × 155,2 cm , Moderna Museet, Stockholm. Ankauf / Purchase 2012, © Ulla Wiggen/Bildupphovsrätt 2024, Foto / Photo: Åsa Lundén, Moderna Museet-Stockholm
Ulla Wiggen: Templum, 2015, Acryl und Blattgold auf Leinwand / Acrylic and gold leaf on canvas, 41 × 42 cm, Öffentliche Kunstsammlung der Region Skåne / Public Art Collection of Region Skåne, Foto / Photo: Helene Toresdotter
Ulla Wiggen: Sorores, 2014, Acryl auf Leinwand / Acrylic on canvas, 30 × 40 cm, Privatsammlung / Private collection, Foto / Photo: Die Künstlerin / The artist
Ulla Wiggen: Conscientia, 2014, Acryl und Blattgold auf Leinwand / Acrylic and gold leaf on canvas, 34 × 33 cm, Privatsammlung / Private collection, Foto / Photo: Die Künstlerin / The artist
Ulla Wiggen: Vestibulum, 2013, Acryl auf Leinwand / Acrylic on canvas, 29 × 41 cm, Firestorm Foundation, Foto / Photo: Die Künstlerin / The artist
Ulla Wiggen: Procenum, 2013, Acryl auf Leinwand / Acrylic on canvas, 22 × 19 cm, Privatsammlung, Schweden / Private collection, Sweden, Foto / Photo: Die Künstlerin / The artist
Ulla Wiggen: Horisonten, 1969, Acryl auf Hartfaserplatte / Acrylic on masonite, 75 × 52 cm, Sammlung des Norrköpings Konstmuseum / Collection of the Norrköpings Konstmuseum, Foto / Photo: Norrköpings Konstmuseum, Per Myrehed
Ulla Wiggen: TRASK, 1967, Acryl auf Hartfaserplatte / Acrylic on masonite, 148,6 × 78,3 cm, Moderna Museet, Stockholm. Ankauf / Purchase 1968, Foto / Photo: Åsa Lundén, Moderna Museet-Stockholm
Ulla Wiggen: Sändare, 1968, Acryl auf Hartfaserplatte / Acrylic on masonite, 45 × 100 cm, Privatsammlung / Private collection, Foto / Photo: Die Künstlerin / The artist
Ulla Wiggen: Kretslopp II, 1967, Acryl auf Hartfaserplatte / Acrylic on masonite, 25 × 20 cm, Privatsammlung, Schweden / Private collection, Sweden, Foto / Photo: Die Künstlerin / The artist
Ulla Wiggen: Kanalväljare, 1967, Acryl auf Hartfaserplatte / Acrylic on masonite, 60 × 80 cm, Privatsammlung / Private collection, Foto / Photo: Jens Ziehe, Berlin, Courtesy Galerie Buchholz
Ulla Wiggen: Kretsfamilj, 1964, Gouache auf Gaze, montiert auf Hartfaserplatte / Gouache on gauze, mounted on masonite, 35 × 30 cm, Bonnier Group Art Collection, Foto / Photo: Die Künstlerin / The artist
Ulla Wiggen: Förstärkare, 1964, Gouache auf Gaze, montiert auf Hartfaserplatte / Gouache on gauze, mounted on masonite, 35 × 25 cm, Privatsammlung / Private collection, Stockholm, Foto / Photo: Die Künstlerin / The artist
DIAGONAL PRESS LIBRARY
July 15, 2023
DIAGONAL PRESS LIBRARY
(Installationsansicht / Installation view: Fridericianum, Kassel)
Foto / Photo: Andrea Rossetti © Tauba Auerbach, documenta und Museum Fridericianum gGmbH
DIAGONAL PRESS LIBRARY
(Installationsansicht / Installation view: Fridericianum, Kassel)
Foto / Photo: Andrea Rossetti © Tauba Auerbach, documenta und Museum Fridericianum gGmbH
DIAGONAL PRESS LIBRARY
Mit der Serie / With the series:
Map Projections I – X, 2020
(Installationsansicht / Installation view: Fridericianum, Kassel)
Foto / Photo: Andrea Rossetti © Tauba Auerbach, documenta und Museum Fridericianum gGmbH
Tauba Auerbach: Six Rotationally Symmetric Periodic Ribbon Ornaments for Architecture, 2022
12 Seiten, Offsetdruck, Spiralbindung / 12 pages, offset print, coil binding
91,44 × 20,32 cm
© Tauba Auerbach, Steven Probert (Foto / Photo)
Courtesy Diagonal Press, New York
Tauba Auerbach: Pilot Wave Induction II, 2018
Zwei Bände, je 60 Seiten / Two volumes, 60 pages each
HP Indigo-Druck auf ungestrichenem Papier / HP Indigo print on uncoated paper
Scheibeneinband aus Metall und Kunststoff / Metal and plastic disc binding
Vierteilige Box nach Maß / Custom four-part box
Klettverschluss, Aufkleber / Velcro, stickers
33,02 × 17,78 × 3,81 cm
© Tauba Auerbach, Steven Probert (Foto / Photo)
Courtesy Diagonal Press, New York
Tauba Auerbach: Pilot Wave Induction II, 2018
Zwei Bände, je 60 Seiten / Two volumes, 60 pages each
HP Indigo-Druck auf ungestrichenem Papier / HP Indigo print on uncoated paper
Scheibeneinband aus Metall und Kunststoff / Metal and plastic disc binding
Vierteilige Box nach Maß / Custom four-part box
Klettverschluss, Aufkleber /Velcro, stickers
33,02 × 17,78 × 3,81 cm
© Tauba Auerbach, Steven Probert (Foto / Photo)
Courtesy Diagonal Press, New York
Tauba Auerbach: Reciprocal Score, 2015
8 Akkordeon gefaltete Seiten / 8 accordion folded pages
10 lb Plotter geschnittenes Bristolpapier / 10 lb plotter-cut Bristol paper
Handgestempelt mit eigenen Gummistempeln im Haus / Hand stamped with custom rubber stamps in-house
Krawattenbindung aus Baumwollköper / Cotton twill tape
29,21 × 21,91 cm
© Tauba Auerbach, Steven Probert (Foto / Photo)
Courtesy Diagonal Press, New York
Tauba Auerbach: Reciprocal Score, 2015
8 Akkordeon gefaltete Seiten / 8 accordion folded pages
10 lb Plotter geschnittenes Bristolpapier / 10 lb plotter-cut Bristol paper
Handgestempelt mit eigenen Gummistempeln im Haus / Hand stamped with custom rubber stamps in-house
Krawattenbindung aus Baumwollköper / Cotton twill tape
29,21 × 21,91 cm
© Tauba Auerbach, Steven Probert (Foto / Photo)
Courtesy Diagonal Press, New York
Tauba Auerbach: The Gold Church, 2015
48 Seiten / 48 pages
Schwarzer Laserdruck auf gelbem Papier / Black laser print on yellow paper
Spulenbindung / Coil binding
25,4 × 19,05 cm
© Tauba Auerbach, Steven Probert (Foto / Photo)
Courtesy Diagonal Press, New York
Tauba Auerbach: The Gold Church, 2015
48 Seiten / 48 pages
Schwarzer Laserdruck auf gelbem Papier / Black laser print on yellow paper
Spulenbindung / Coil binding
25,4 × 19,05 cm
© Tauba Auerbach, Steven Probert (Foto / Photo)
Courtesy Diagonal Press, New York
Tauba Auerbach: Peanopoem 0, 2022
2 Seiten, Offsetdruck / 2 pages, offset print
35,56 × 10,8 cm
© Tauba Auerbach, Steven Probert (Foto / Photo)
Courtesy Diagonal Press, New York
Tauba Auerbach: Peanopoem I, 2022
2 Seiten, Offsetdruck / 2 pages, offset print
35,56 × 10,8 cm
© Tauba Auerbach, Steven Probert (Foto / Photo)
Courtesy Diagonal Press, New York
Tauba Auerbach: Map Projection VI – Stereographic (North America Surrounds), 2020
Offsetdruck / Offset printing
68,58 × 99,06 cm
© Tauba Auerbach, Steven Probert (Foto / Photo)
Courtesy Diagonal Press, New York
Tauba Auerbach: Ribbon Calligraphy Metallic Typeface (Bottom) Type Specimen Poster
Schriftart entworfen 2019, gedruckt 2021 / Typeface designed 2019, printed 2021
Siebdruck auf Papier / Screen print on paper
62,23 × 49,53 cm (doppelseitig / double sided)
© Tauba Auerbach, Steven Probert (Foto / Photo)
Courtesy Diagonal Press, New York
Tauba Auerbach: Ribbon Calligraphy Metallic Typeface (Bottom) Type Specimen Poster
Schriftart entworfen 2019, gedruckt 2021 / Typeface designed 2019, printed 2021
Siebdruck auf Papier / Screen print on paper
62,23 × 49,53 cm (doppelseitig / double sided)
© Tauba Auerbach, Steven Probert (Foto / Photo)
Courtesy Diagonal Press, New York
Tauba Auerbach: Japanese Maille Type Specimen Poster
Schriftart entworfen 2014, gedruckt 2015 / Typeface designed 2014, printed 2015
Siebdruck auf Papier / Screen print on paper
62,23 × 49,53 cm (doppeltseitig / double sided)
© Tauba Auerbach, Steven Probert (Foto / Photo)
Courtesy Diagonal Press, New York
Tauba Auerbach: Up Died OG Type Specimen Poster
Schriftart entworfen 2010, gedruckt 2013 / Typeface designed 2010, printed 2013
Siebdruck auf Papier / Screen print on paper
62,23 × 49,53 cm (doppelseitig / double sided)
© Tauba Auerbach, Steven Probert (Foto / Photo)
Courtesy Diagonal Press, New York
Tauba Auerbach: Unfolded Tesseract, 2017
3D-bedrucktes Nylon, Bristolkarton, Gummistempel / 3D printed nylon, Bristol board box, rubber stamp
9,53 × 15,24 cm
© Tauba Auerbach, Steven Probert (Foto / Photo)
Courtesy Diagonal Press, New York
Tauba Auerbach: Noloid, 2015
3D-gedrucktes Nylon / 3D printed nylon
Pappröhre, mit eigenem Gummistempel gestempelt / Cardboard tube, stamped with custom rubber stamp in-house
8,9 × 13,34 cm
© Tauba Auerbach, Steven Probert (Foto / Photo)
Courtesy Diagonal Press, New York
Tauba Auerbach: Japanese Maille Pin, 2015
Zinkdruckgusslegierung und weiche Emaille / Diecast zinc alloy and soft enamel
Einfacher oder doppelter Gummirücken / Single or double rubber back
7,97 × 1,34 cm
© Tauba Auerbach, Steven Probert (Foto / Photo)
Courtesy Diagonal Press, New York
Tauba Auerbach: Periodic Domain Pin I (Blue), 2016
Zinkdruckgusslegierung und weiche Emaille / Diecast zinc alloy and soft enamel
Einfacher oder doppelter Gummirücken / Single or double rubber back
7,62 × 2,54 cm
© Tauba Auerbach, Steven Probert (Foto / Photo)
Courtesy Diagonal Press, New York
Tauba Auerbach: 2nd Iteration Frozen Fountain Curve Pin, 2016
Zinkdruckgusslegierung und weiche Emaille / Diecast zinc alloy and soft enamel
Einfacher oder doppelter Gummirücken / Single or double rubber back
6,99 × 5,08 cm
© Tauba Auerbach, Steven Probert (Foto / Photo)
Courtesy Diagonal Press, New York
Tauba Auerbach: Fractal Flag III, 2017
Lasergeschnittene Nylonflaggen / Laser cut nylon flags
86,4 × 154,94 cm
© Tauba Auerbach, Steven Probert (Foto / Photo)
Courtesy Diagonal Press, New York
Tauba Auerbach
July 15, 2023
Tauba Auerbach: TIDE
Mit Werken aus der Serie / With works from the series: Spontaneous Lace, 2023
(Installationsansicht / Installation view: Fridericianum, Kassel)
Foto / Photo: Andrea Rossetti © Tauba Auerbach, documenta und Museum Fridericianum gGmbH
Tauba Auerbach: TIDE
(Installationsansicht / Installation view: Fridericianum, Kassel)
Foto / Photo: Andrea Rossetti © Tauba Auerbach, documenta und Museum Fridericianum gGmbH
Tauba Auerbach: TIDE
(Installationsansicht / Installation view: Fridericianum, Kassel)
Foto / Photo: Andrea Rossetti © Tauba Auerbach, documenta und Museum Fridericianum gGmbH
Tauba Auerbach: TIDE
(Installationsansicht / Installation view: Fridericianum, Kassel)
Foto / Photo: Andrea Rossetti © Tauba Auerbach, documenta und Museum Fridericianum gGmbH
Tauba Auerbach: TIDE
Mit dem Werk / With the work:
7S, 7Z, 1S, 2Z, 2019
(Installationsansicht / Installation view: Fridericianum, Kassel)
Foto / Photo: Andrea Rossetti © Tauba Auerbach, documenta und Museum Fridericianum gGmbH
Tauba Auerbach: TIDE
Mit Werken aus den Serien / With works from the series:
Foam, 2023 und / and Org, 2022–23
(Installationsansicht / Installation view: Fridericianum, Kassel)
Foto / Photo: Andrea Rossetti © Tauba Auerbach, documenta und Museum Fridericianum gGmbH
Tauba Auerbach: TIDE
Mit Werken aus der Serie / With works from the series:
Foam, 2023
(Installationsansicht / Installation view: Fridericianum, Kassel)
Foto / Photo: Andrea Rossetti © Tauba Auerbach, documenta und Museum Fridericianum gGmbH
Tauba Auerbach: TIDE
Mit Werken aus der Serie / With works from the series: Ligature Drawing, 2016–2023
(Installationsansicht / Installation view: Fridericianum, Kassel)
Foto / Photo: Andrea Rossetti
© Tauba Auerbach, documenta und Museum Fridericianum gGmbH
Tauba Auerbach: TIDE
Mit dem Werk / With the work:
Pilot Wave Induction IV (I+III), 2023
(Installationsansicht / Installation view: Fridericianum, Kassel)
Foto / Photo: Andrea Rossetti © Tauba Auerbach, documenta und Museum Fridericianum gGmbH
Tauba Auerbach: Extended Object (detail), 2021
Acryl auf Leinwand, Holzkeilrahmen / Acrylic on canvas, wood stretcher
35,6 × 45,7 cm
© Tauba Auerbach, Lance Brewer (Foto / Photo)
Courtesy STANDARD (OSLO)
Tauba Auerbach: Extended Object, 2021
Acryl auf Leinwand, Holzkeilrahmen / Acrylic on canvas, wood stretcher
35,6 × 45,7 cm
© Tauba Auerbach, Lance Brewer (Foto / Photo)
Courtesy STANDARD (OSLO)
Tauba Auerbach: Extended Object, 2020
Acryl auf Leinwand, Holzkeilrahmen / Acrylic on canvas, wood stretcher
35,6 × 45,7 cm
Danjuma Collection
© Tauba Auerbach, Lance Brewer (Foto / Photo)
Courtesy STANDARD (OSLO)
Tauba Auerbach: Extended Object, 2018
Acryl auf Leinwand in Aluminiumrahmen / Acrylic on canvas in aluminum frame
35,6 × 45,7 cm
Sammlung / Collection Lisa and Steven Tananbaum
© Tauba Auerbach, Steven Probert (Foto / Photo)
Courtesy Paula Cooper Gallery, New York
Tauba Auerbach: Org (detail), 2023
Geflochtene Glasperlen / Woven glass beads
5,1 × 204,5 × 105,1 cm
© Tauba Auerbach, Steven Probert (Foto / Photo)
Courtesy Paula Cooper Gallery, New York
Tauba Auerbach: Org, 2023
Geflochtene Glasperlen / Woven glass beads
12,7 × 179,1 × 58,4 cm
© Tauba Auerbach, Steven Probert (Foto / Photo)
Courtesy Paula Cooper Gallery, New York
Tauba Auerbach: Org, 2022
Geflochtene Glasperlen / Woven glass beads
5,1 × 144,8 × 15,2 cm
Privatsammlung / Private Collection, New York
© Tauba Auerbach, Steven Probert (Foto / Photo)
Courtesy Paula Cooper Gallery, New York
Tauba Auerbach: Grain – Cantor Fret Slice II, 2018
Acryl auf Leinwand, Holzkeilrahmen / Acrylic on canvas, wood stretcher
Fondazione Sandretto Re Rebaudengo
© Tauba Auerbach, Lance Brewer (Foto / Photo)
Courtesy STANDARD (OSLO)
Tauba Auerbach: Grain – Cantor Fret Slice II (detail), 2018
Acryl auf Leinwand, Holzkeilrahmen / Acrylic on canvas, wood stretcher
Fondazione Sandretto Re Rebaudengo
© Tauba Auerbach, Lance Brewer (Foto / Photo)
Courtesy STANDARD (OSLO)
Tauba Auerbach: Grain – Meander Strike I, 2021
Acryl auf Leinwand, Holzkeilrahmen / Acrylic on canvas, wood stretcher
152,4 × 114,3 cm
© Tauba Auerbach, Lance Brewer (Foto / Photo)
Courtesy STANDARD (OSLO)
Tauba Auerbach: Grain – Mandelbrot Quartet Escape (Ventrella Variation), 2022
Acryl auf Leinwand, Holzkeilrahmen / Acrylic on canvas, wood stretcher
152,4 × 114,3 cm
© Tauba Auerbach, Steven Probert (Foto / Photo)
Courtesy Paula Cooper Gallery, New York
Tauba Auerbach: Pilot Wave Induction IV (I +III) (video still), 2023
Vierkanaliges HD-Video / Four channel HD video; Farbe, Ton / color, sound
9′18′′ (looped)
Kamera / Camera: Rafe Scobey-Thal; Schlagzeug / Percussion: Greg Fox
© Tauba Auerbach
Tauba Auerbach: Pilot Wave Induction IV (I +III) (video still), 2023
Vierkanaliges HD-Video / Four channel HD video; Farbe, Ton / color, sound
9′18′′ (looped)
Kamera / Camera: Rafe Scobey-Thal; Schlagzeug / Percussion: Greg Fox
© Tauba Auerbach
Tauba Auerbach: Spontaneous Lace, 2023
Ofengeformtes Glas in Aluminiumarmatur / Kiln-formed glass in aluminum armature
121,9 × 25,4 × 1 cm
© Tauba Auerbach, Steven Probert (Foto / Photo)
Courtesy Paula Cooper Gallery, New York
Tauba Auerbach: Spontaneous Lace (detail), 2023
Ofengeformtes Glas in Aluminiumarmatur / Kiln-formed glass in aluminum armature
121,9 × 25,4 × 1 cm
© Tauba Auerbach, Steven Probert (Foto / Photo)
Courtesy Paula Cooper Gallery, New York
Tauba Auerbach: Spontaneous Lace, 2023
Ofengeformtes Glas in Aluminiumarmatur / Kiln-formed glass in aluminum armature
76,2 × 21,3 × 1 cm
© Tauba Auerbach, Steven Probert (Foto / Photo)
Courtesy Paula Cooper Gallery, New York
Tauba Auerbach: Spontaneous Lace (detail), 2023
Ofengeformtes Glas in Aluminiumarmatur / Kiln-formed glass in aluminum armature
76,2 × 21,3 × 1 cm
© Tauba Auerbach, Steven Probert (Foto / Photo)
Courtesy Paula Cooper Gallery, New York
Tauba Auerbach: Ligature Drawing, 28 August 2021, 2021
Tinte und Datumsstempel auf Papier / Ink and date stamp on paper
81,6 × 68,6 cm
© Tauba Auerbach, Steven Probert (Foto / Photo)
Courtesy Paula Cooper Gallery, New York
Tauba Auerbach: Ligature Drawing, 29 March 2021, 2021
Tinte und Datumsstempel auf Papier / Ink and date stamp on paper
81,6 × 68,6 cm
© Tauba Auerbach, Steven Probert (Foto / Photo)
Courtesy Paula Cooper Gallery, New York
Tauba Auerbach: Foam, 2023
Acryl auf Dibond / Acrylic on Dibond
40,6 × 61 cm
Privatsammlung / Private Collection, New York
© Tauba Auerbach, Steven Probert (Foto / Photo)
Courtesy Paula Cooper Gallery, New York
Tauba Auerbach: Foam (detail), 2023
Acryl auf Dibond / Acrylic on Dibond
40,6 × 61 cm
Privatsammlung / Private Collection, New York
© Tauba Auerbach, Steven Probert (Foto / Photo)
Courtesy Paula Cooper Gallery, New York
Tauba Auerbach: Foam, 2023
Acrylic on Dibond / Acrylic on Dibond
152,4 × 228,6 cm
© Tauba Auerbach, Steven Probert (Photo)
Courtesy Paula Cooper Gallery, New York
Tauba Auerbach: Foam, 2023
Acryl auf Dibond / Acrylic on Dibond
152,4 × 228,6 cm
Sammlung / Collection Glenn and Amanda Fuhrman, New York
Courtesy the FLAG Art Foundation
© Tauba Auerbach, Steven Probert (Foto / Photo)
Courtesy Paula Cooper Gallery, New York
Tauba Auerbach: 7S, 7Z, 1S, 2Z, 2019
Stahl, Glas, Seife, Blei, Aluminium, Schlauchpumpe, PVC, Motoren, Solarzellen, Batterie, Elektronik, Strom / Steel, glass, soap, lead, aluminum, peristaltic pump, pvc, motors, solar panels, battery, electronics, current
Dimensionen variabel / Dimensions variable
© Tauba Auerbach, Charles Benton (Foto / Photo)
Courtesy the Artist’s Institute at Hunter College, New York
Tauba Auerbach: A Flexible Fabric of Inflexible Parts (detail), 2015
Borosilikatglas auf Tisch aus Aluminium, Holz und Farbe / Borosilicate glass on table of aluminum, wood and paint
11 spiralförmige Komponenten / 11 helical components: jeweils / each 7,6 × 7,6 × 80 cm
Tisch / Table: 59,7 × 213,4 × 213,4 cm
© Tauba Auerbach, Steven Probert (Foto / Photo)
Courtesy Paula Cooper Gallery, New York
Rosemarie Trockel
February 21, 2023
Rosemarie Trockel: Victoria, 2021, Cappuccino Ober- und Untertasse / Cappuccino Cup and Saucer © Rosemarie Trockel, documenta und Museum Fridericianum gGmbH, Nicolas Wefers (Foto / photo)
Rosemarie Trockel: no Rules, 2021, Espresso Ober- und Untertasse / Espresso Cup and Saucer © Rosemarie Trockel, documenta und Museum Fridericianum gGmbH, Nicolas Wefers (Foto / photo)
Kerstin Brätsch
January 20, 2023
Installation view, Kerstin Brätsch: MIMIKRY, 2023, Fridericianum, Kassel © documenta und Museum Fridericianum gGmbH, the artist. Photo: Nicolas Wefers
Installation view, Kerstin Brätsch: MIMIKRY, 2023, Fridericianum, Kassel © documenta und Museum Fridericianum gGmbH, the artist. Photo: Nicolas Wefers
Installation view, Kerstin Brätsch: MIMIKRY, 2023, Fridericianum, Kassel © documenta und Museum Fridericianum gGmbH, the artist. Photo: Nicolas Wefers
Kerstin Brätsch: Towards an Alphabet_ Dino Rorschach, 2022 © the artist, documenta und Museum Fridericianum gGmbH
Kerstin Brätsch: Towards an Alphabet_ Dino Runes (Kassel Version), 2020/2022, Wallpaper (detail) © the artist, documenta und Museum Fridericianum gGmbH, Photo: Nicolas Wefers
Kerstin Brätsch: Fossil Psychic table model, 2022, Cardboard, paper, hotglue, 12 individual elements, scale: 1:5 © the artist, documenta und Museum Fridericianum gGmbH, photo: Nicolas Wefers
Kerstin Brätsch: Fossil Psychics table models, 2022, Cardboard, paper, hotglue, 12 individual elements, scale: 1:5 © the artist, documenta und Museum Fridericianum gGmbH, photo: Nicolas Wefers
Kerstin Brätsch: Towards an Alphabet_ Dino Runes (Kassel Version), 2020/2022, Wallpaper (detail) © the artist, documenta und Museum Fridericianum gGmbH, Photo: Nicolas Wefers
Kerstin Brätsch: Fossil Psychic for Christa (Stucco Marmo), 2020 – 2021, Plaster, pigment, glue, wax and oil on honeycomb, felt 111,8 x 148,9 cm © the artist. Photo: Daniele Molajoli
Kerstin Brätsch: Fossil Psychic for Christa (Stucco Marmo), 2020, Plaster, pigments, glue, wax and oil on honeycomb, felt 109.9 x 140 cm © the artist. Photo: Daniele Molajoli
Roberto Cuoghi
December 3, 2022 – May 29, 2023
Porträt / Portrait Roberto Cuoghi © Roberto Cuoghi, Foto / Photo: Alessandra Sofia Courtesy the artist, Hauser & Wirth and Galerie Chantal Crousel
Roberto Cuoghi in Zusammenarbeit mit matali crasset / Roberto Cuoghi in collaboration with matali crasset (Installationsansicht / Installation view Fridericianum, Kassel) © Roberto Cuoghi, documenta und Museum Fridericianum gGmbH, Photo: Andrea Rossetti
Roberto Cuoghi (Installationsansicht / Installation view Fridericianum, Kassel), Leihgabe / Loan Hauser & Wirth © Roberto Cuoghi, documenta und Museum Fridericianum gGmbH, Photo: Andrea Rossetti
Roberto Cuoghi: Imitatio Christi, 2017, (Installationsansicht / Installation view Fridericianum), Leihgabe/ Loan Galerie Chantal Crousel, © Roberto Cuoghi, Museum Fridericianum gGmbH, Photo: An
Roberto Cuoghi: Imitatio Christi, 2017, (Installationsansicht / Installation view Fridericianum), Privatsammlung / Private collection, © Roberto Cuoghi, Museum Fridericianum gGmbH, Photo: Andrea Rossetti
Roberto Cuoghi: Imitatio Christi, 2017, (Installationsansicht / Installation view Fridericianum), Privatsammlung / Private collection, © Roberto Cuoghi, Museum Fridericianum gGmbH, Photo: Andrea Rossetti
Roberto Cuoghi: Imitatio Christi, 2017, (Installationsansicht / Installation view Fridericianum), Privatsammlung / Private collection, © Roberto Cuoghi, Museum Fridericianum gGmbH, Photo: Andrea Rossetti
Roberto Cuoghi: Imitatio Christi, 2017, (Installationsansicht / Installation view Fridericianum), Privatsammlung / Private collection, © Roberto Cuoghi, Museum Fridericianum gGmbH, Photo: Andrea Rossetti
Roberto Cuoghi: SS(XCVP)s, 2019, (Installationsansicht/ Installation view Fridericianum, Kassel), Privatsammlung / private collection, Hauser & Wirth Collection Services, © Roberto Cuoghi, documenta und Museum Fridericianum gGmbH, Foto: Andrea Rossetti
Roberto Cuoghi: SS(IISh)c, 2019 Keramik, Messing, Nylon, Eisen, Kaugummi / Ceramic, brass, nylon, iron, chewing gum 75 x 110 x 40 cm © Roberto Cuoghi, Foto / Photo: Alessandra Sofia Courtesy the artist and Hauser & Wirth
Roberto Cuoghi: SS(IIISh)o, 2019 Messing / Brass 160 x 100 x 34 cm © Roberto Cuoghi, Foto / Photo: Alessandra Sofia Courtesy the artist and Galerie Chantal Crousel, Paris
Roberto Cuoghi: Šuillakku, 2008 Sound Installation Dokumentationsfoto der Vorbereitung von Šuillakku, Castello di Rivoli / Documentary photograph during the preparation of Šuillakku, Castello di Rivoli © Roberto Cuoghi, Foto / Photo: Alessandra Sofia
Roberto Cuoghi: Ether en Flocons, 2018 Agar Agar, Gelatine / Agar agar, gelatine 10 verschiedene Elemente, je / 10 different elements, each 70 x 50 x 20 cm © Roberto Cuoghi, Foto / Photo: Alessandra Sofia Courtesy the artist and Hauser & Wirth
Roberto Cuoghi: Imitatio Christi, 2019 Agar Agar, Filz / Agar agar, felt 167 x 80 x 20 cm © Roberto Cuoghi, Foto / Photo: Alessandra Sofia Courtesy the artist and Galerie Chantal Crousel
Roberto Cuoghi: Imitatio Christi, 2017 Installationsansicht / Installation view La Biennale di Venezia. © Roberto Cuoghi, Foto / Photo: Alessandra Sofia Courtesy the artist, Hauser & Wirth and Galerie Chantal Crousel
Roberto Cuoghi: Imitatio Christi, 2017 Installationsansicht / Installation view La Biennale di Venezia. Privatsammlung / Private collection © Roberto Cuoghi, Foto / Photo: Alessandra Sofia Courtesy the artist, Hauser & Wirth and Galerie Chantal Crousel
Roberto Cuoghi: Imitatio Christi, 2017 Installationsansicht / Installation view La Biennale di Venezia. Privatsammlung / Private collection © Roberto Cuoghi, Foto / Photo: Alessandra Sofia Courtesy the artist, Hauser & Wirth and Galerie Chantal Crousel
Roberto Cuoghi: Imitatio Christi, 2017 Installationsansicht / Installation view La Biennale di Venezia. Privatsammlung / Private collection © Roberto Cuoghi, Foto / Photo: Alessandra Sofia Courtesy the artist, Hauser & Wirth and Galerie Chantal Crousel
Roberto Cuoghi: Imitatio Christi, 2017 Installationsansicht / Installation view La Biennale di Venezia. Privatsammlung / Private collection © Roberto Cuoghi, Foto / Photo: Alessandra Sofia Courtesy the artist, Hauser & Wirth and Galerie Chantal Crousel
Roberto Cuoghi: SS(IVP)c, 2016 Keramik / Ceramic 27 × 25 × 22 cm © Roberto Cuoghi, Foto / Photo: Alessandra Sofia Courtesy the artist, Hauser & Wirth and Galerie Chantal Crousel
Roberto Cuoghi: Imitatio Christi, 2017 Installationsansicht / Installation view La Biennale di Venezia. Privatsammlung / Private collection © Roberto Cuoghi, Foto / Photo: Alessandra Sofia Courtesy the artist, Hauser & Wirth and Galerie Chantal Crousel
Roberto Cuoghi: SS(XCIVP)c, 2018 Keramik, Porzelan, mit Kerakim ummanteltes Aluminium / Ceramic, porcelain, ceramic-coated aluminium, glass, aluminum 243 individuelle Keramikelemente, Maße variabel / individual ceramic elements, size variable © Roberto Cuoghi, Foto / Photo: Alessandra Sofia Courtesy the artist and Hauser & Wirth
Roberto Cuoghi: SS(XCP)c, 2018 Keramik, Straussenei, Mehl / Ceramic, ostrich egg, flour 45 x 103 x 76 cm Privatsammlung / Private collection © Roberto Cuoghi, Foto / Photo: Alessandra Sofia Courtesy the artist, Hauser & Wirth and Galerie Chantal Crousel
Dokumentation von Putiferio / Documentation of Putiferio, DESTE Foundation Project Space, Hydra 2016. Foto / Photo: Fanis Vlastaras & Rebecca Constantopoulou
Dokumentation von Putiferio / Documentation of Putiferio, DESTE Foundation Project Space, Hydra 2016. Foto / Photo: Maria Markezi
Dokumentation von Putiferio / Documentation of Putiferio, DESTE Foundation Project Space, Hydra 2016. Foto / Photo: Maria Markezi
Roberto Cuoghi: SS(XCVP)c, 2019 Keramik, Eisen, Wollpullover, Filz / Ceramic, iron, woolen
sweater, felt, 260 x 280 x 60 cm, Privatsammlung / Private collection, Hauser & Wirth, Collection Services, © Roberto Cuoghi, Foto / Photo: Alessandra Sofia.
Roberto Cuoghi: Scale Model of SS(XCVP)c, 2019 Filz / Felt 75 x 75 x 15 cm Privatsammlung / Private collection © Roberto Cuoghi, Foto / Photo: Alessandra Sofia Courtesy the artist, Hauser & Wirth and Galerie Chantal Crousel
Toba Khedoori
October 9, 2021 – February 20, 2022
Installationsansicht / Installation view, Fridericianum, 2021 © Toba Khedoori, documenta und Museum Fridericianum gGmbH, Andrea Rossetti (photo)
Installationsansicht / Installation view, Fridericianum, 2021 © Toba Khedoori, documenta und Museum Fridericianum gGmbH, Andrea Rossetti (photo)
Installationsansicht / Installation view, Fridericianum, 2021 © Toba Khedoori, documenta und Museum Fridericianum gGmbH, Andrea Rossetti (photo)
Installationsansicht / Installation view, Fridericianum, 2021 © Toba Khedoori, documenta und Museum Fridericianum gGmbH, Andrea Rossetti (photo)
Installationsansicht / Installation view, Fridericianum, 2021 © Toba Khedoori, documenta und Museum Fridericianum gGmbH, Andrea Rossetti (photo)
Toba Khedoori: Untitled (overpass), 1994, Öl und Wachs auf Papier / Oil and wax on paper, 335,2 x 609,7 cm, Privatsammlung / Private Collection © Toba Khedoori, documenta und Museum Fridericianum gGmbH, Andrea Rossetti (photo)
Toba Khedoori: Untitled, 2020, Öl, Graphit und Wachs auf Papier / Oil, graphite, and wax on paper
243,8 x 350,5 cm Sammlung / Collection Filip Engelen and Ann Gillis, Belgien / Belgium © Toba Khedoori, documenta und Museum Fridericianum gGmbH, Andrea Rossetti (photo)
Toba Khedoori: Untitled, 2019–2020, Wachs, Graphit und Öl auf Papier / Wax, graphite, and oil on paper
248,9 x 218,4 cm Privatsammlung, Schweiz / Private Collection, Switzerland © Toba Khedoori, documenta und Museum Fridericianum gGmbH, Andrea Rossetti (photo)
Toba Khedoori: Untitled (buildings/windows), 1994, Öl und Wachs auf Papier / Oil and wax on paper, 335,28 cm 609,6 cm, Sammlung von / Collection of Jeffrey Deitch © Toba Khedoori, documenta und Museum Fridericianum gGmbH, Andrea Rossetti (photos)
Toba Khedoori: Untitled (hole), 2013 Öl auf Leinen / Oil on linen 112,4 x 121 cm Emanuel Hoffmann-Stiftung, Depositum in der Öffentlichen Kunstsammlung Basel © Toba Khedoori, Emanuel Hoffmann-Stiftung, Depositum in der Öffentlichen Kunstsammlung Basel, documenta und Museum Fridericianum gGmbH, Andrea Rossetti (photo)
Toba Khedoori: Untitled, 2021, Öl, Graphit und Wachs auf Papier / Oil, graphite, and wax on paper 350,5 x 495,3 cm © Toba Khedoori, documenta und Museum Fridericianum gGmbH, Andrea Rossetti (photo)
Toba Khedoori: Untitled (branches 1), 2011–2012 Öl auf Leinen / Oil on linen 80,6 x 105,1 cm Privatsammlung / Private Collection, Courtesy David Zwirner © Toba Khedoori, documenta und Museum Fridericianum gGmbH, Andrea Rossetti (photo)
Toba Khedoori: Untitled (white fireplace), 2005 Öl und Wachs auf Papier / Oil on waxed paper 358,1 x 490,2 cm Privatsammlung / Private Collection, Courtesy David Zwirner
© Toba Khedoori, documenta und Museum Fridericianum gGmbH, Andrea Rossetti (photo)
Toba Khedoori: Untitled (tile), 2014 Öl auf Leinen / Oil on linen 60,3 x 95,6 cm Emanuel Hoffmann-Stiftung, Depositum in der Öffentlichen Kunstsammlung Basel
© Toba Khedoori, Emanuel Hoffmann-Stiftung, Depositum in der Öffentlichen Kunstsammlung Basel, documenta und Museum Fridericianum gGmbH, Andrea Rossetti (photo)
Toba Khedoori: Untitled (chain-link fence), 1996, Öl und Wachs auf Papier / Oil and wax on paper, 335,3 x 586,7 cm
Privatsammlung / Private Collection © Toba Khedoori, documenta und Museum Fridericianum gGmbH, Andrea Rossetti (photo)
Toba Khedoori: Untitled (window), 1999, Öl und Wachs auf Papier / Oil and wax on paper, 365,8 x 609,6 cm, Emanuel Hoffmann-Stiftung, Depositum in der Öffentlichen Kunstsammlung Basel © Toba Khedoori, Emanuel Hoffmann-Stiftung, Depositum in der Öffentlichen Kunstsammlung Basel documenta und Museum Fridericianum gGmbH, Andrea Rossetti (photo)
Toba Khedoori: Untitled, 2018, Öl auf gewachstem Papier / Oil on waxed paper, 243,8 x 335 cm, Sammlung von / Collection of Alex Hank © Toba Khedoori, documenta und Museum Fridericianum gGmbH, photo: Andrea Rossetti
Installationsansicht / Installation view, Fridericianum, 2021 © Toba Khedoori, documenta und Museum Fridericianum gGmbH, Andrea Rossetti (photos)
Installationsansicht / Installation view, Fridericianum, 2021 © Toba Khedoori, documenta und Museum Fridericianum gGmbH, Andrea Rossetti (photo)
Toba Khedoori: Untitled (window), 1999, Emanuel Hoffmann-Stiftung, Depositum in der Öffentlichen Kunstsammlung Basel (Installationsansicht / Installation view, Fridericianum, 2021) © Toba Khedoori, documenta und Museum Fridericianum gGmbH, Andrea Rossetti (photo)
Toba Khedoori: Untitled (stick), 2005, Öl und Wachs auf Papier / Oil and wax on paper, 360,7 x 203,2 cm ALBERTINA, Wien – Dauerleihgabe der Österreichischen Ludwig-Stiftung für Kunst und Wissenschaft © Toba Khedoori, ALBERTINA, Wien – Dauerleihgabe der Österreichischen Ludwig-Stiftung für Kunst und Wissenschaft
Toba Khedoori: Untitled (clouds), 2005, Öl und Wachs auf Papier / Oil and wax on paper, 328,9 x 203,2 cm, Sammlung von / Collection of Adam Sender © Toba Khedoori, photo: Fredrik Nilsen. Courtesy Regen Projects Los Angeles, and David Zwirner
Toba Khedoori in ihrem Studio in Los Angeles, 1995 / Toba Khedoori in her Los Angeles studio, 1995
© Toba Khedoori, Courtesy Regen Projects, Los Angeles and David Zwirner, Rachel Khedoori (Foto / Photo)
Martine Syms
July 3, 2021 – February 20, 2022
Martine Syms: Ded, 2021 (Installationsansicht / Installation view Aphrodite’s Beasts), Fridericianum, Kassel, 2021 © Martine Syms, documenta und Museum Fridericianum gGmbH. Andrea Rossetti (photo)
Martine Syms: Aphrodite’s Beasts (Installationsansicht / Installation view), Fridericianum, Kassel, 2021 © Martine Syms, documenta und Museum Fridericianum gGmbH. Andrea Rossetti (photo)
Martine Syms: Ugly Plymouths, 2020 (Installationsansicht / Installation view Aphrodite’s Beasts), Fridericianum, Kassel, 2021 © Martine Syms, documenta und Museum Fridericianum gGmbH. Andrea Rossetti (photo)
Martine Syms: The path is long and winding, 2021 (Installationsansicht / Installation view), Fridericianum, Kassel, 2021 © Martine Syms, documenta und Museum Fridericianum gGmbH. Foto / Photo: Nicolas Wefers
Martine Syms: The path is long and winding, 2021 (Installationsansicht / Installation view), Fridericianum, Kassel, 2021 © Martine Syms, documenta und Museum Fridericianum gGmbH. Foto / Photo: Nicolas Wefers
Martine Syms: The path is long and winding, 2021 (Installationsansicht / Installation view), Fridericianum, Kassel, 2021 © Martine Syms, documenta und Museum Fridericianum gGmbH. Foto / Photo: Nicolas Wefers
Martine Syms: Ugly Plymouths [still] , 2020 , 3 channel video. © Martine Syms, courtesy Sadie Coles HQ, London, and Bridget Donahue, New York.
Martine Syms: Ugly Plymouths [still] , 2020 , 3 channel video. © Martine Syms, courtesy Sadie Coles HQ, London, and Bridget Donahue, New York.
Martine Syms, Lesson LXXV, 2017 (Installationsansicht / Installation view), Public Art Fund, Time Square, New York, 6. Feburar – 5. März 2017 / February 6 – March 5, 2017 © Martine Syms, courtesy Public Art Fund and Sadie Coles HQ, London
Martine Syms: Ugly Plymouths [still] , 2020 , 3 channel video. © Martine Syms, courtesy Sadie Coles HQ, London, and Bridget Donahue, New York.
Martine Syms, August 2018 © Martine Syms, courtesy Sadie Coles HQ, London. Foto / Photo: Taylor Rainbolt
Martine Syms, 2017 © Martine Syms, courtesy Cultured Magazine and Sadie Coles HQ, London. Foto / Photo: Manfredi Gioacchini
Alexandra Bircken
Top Down / Bottom Up
Alexandra Bircken, Top down / Bottom up, 2020, eine Auftragsarbeit des / a work comissioned by the Fridericianum © Alexandra Bircken, Fridericianum, Foto / Photo: Nicolas Wefers
Alexandra Bircken, Top down / Bottom up, 2020, eine Auftragsarbeit des / a work comissioned by the Fridericianum © Alexandra Bircken, Fridericianum, Foto / Photo: Nicolas Wefers
Alexandra Bircken, Top down / Bottom up, 2020, eine Auftragsarbeit des / a work comissioned by the Fridericianum © Alexandra Bircken, Fridericianum, Foto / Photo: Nicolas Wefers
Alexandra Bircken, Top down / Bottom up, 2020, eine Auftragsarbeit des / a work comissioned by the Fridericianum © Alexandra Bircken, Fridericianum, Foto / Photo: Nicolas Wefers
Alexandra Bircken, “Top down / Bottom up”, 2020, eine Auftragsarbeit des / a work comissioned by the Fridericianum © Alexandra Bircken, Fridericianum, Foto / Photo: Andrea Rossetti
Alexandra Bircken, Top down / Bottom up, 2020, eine Auftragsarbeit des / a work comissioned by the Fridericianum © Alexandra Bircken, Fridericianum, Foto / Photo: Nicolas Wefers
Alexandra Bircken, Top down / Bottom up, 2020, eine Auftragsarbeit des / a work comissioned by the Fridericianum © Alexandra Bircken, Fridericianum, Foto / Photo: Nicolas Wefers
Alexandra Bircken, Top down / Bottom up, 2020, eine Auftragsarbeit des / a work comissioned by the Fridericianum © Alexandra Bircken, Fridericianum, Foto / Photo: Andrea Rossetti
Alexandra Bircken, Top down / Bottom up (Detail), 2020, Wachsmodell / Wax model, Foto / Photo: Albrecht Fuchs
Alexandra Bircken, Top down / Bottom up (Detail), 2020, Wachsmodell / Wax model, Foto / Photo: Albrecht Fuchs
FF – Live at the Fridericianum
Trisha Baga: Hope, 2020. Fridericianum, Kassel. © The artist, Fridericianum, Foto / Photo: Andrea Rossetti
Trisha Baga: Hope, 2020. Fridericianum, Kassel. © The artist, Fridericianum, Foto / Photo: Andrea Rossetti
Trisha Baga: Hope, 2020. Fridericianum, Kassel. © The artist, Fridericianum, Foto / Photo: Andrea Rossetti
Trisha Baga: Hope, 2020. Fridericianum, Kassel. © The artist, Fridericianum, Foto / Photo: Nicolas Wefers
Trisha Baga: Hope, 2020. Fridericianum, Kassel. © The artist, Fridericianum, Foto / Photo: Nicolas Wefers
Trisha Baga: Hope, 2020. Fridericianum, Kassel. © The artist, Fridericianum, Foto / Photo: Nicolas Wefers
Trisha Baga: Hope, 2020. Fridericianum, Kassel. © The artist, Fridericianum, Foto / Photo: Andrea Rossetti
Trisha Baga: Hope, 2020. Fridericianum, Kassel. © The artist, Fridericianum, Foto / Photo: Nicolas Wefers
Trisha Baga: Hope, 2020. Fridericianum, Kassel. © The artist, Fridericianum, Foto / Photo: Andrea Rossetti
Karl Holmqvist
Existential Staircase / Existenzielles Treppenhaus
Karl Holmqvist: Existential Staircase / Existenzielles Treppenhaus, 2020, eine Auftragsarbeit des / a work comissioned by the Fridericianum, Photo: Andrea Rossetti
Karl Holmqvist: Existential Staircase / Existenzielles Treppenhaus, 2020, eine Auftragsarbeit des / a work comissioned by the Fridericianum, Photo: Andrea Rossetti
Karl Holmqvist: Existential Staircase / Existenzielles Treppenhaus, 2020, eine Auftragsarbeit des / a work comissioned by the Fridericianum, Photo: Andrea Rossetti
Karl Holmqvist: Existential Staircase / Existenzielles Treppenhaus, 2020, eine Auftragsarbeit des / a work comissioned by the Fridericianum, Photo: Nicolas Wefers
Karl Holmqvist: Existential Staircase / Existenzielles Treppenhaus, 2020, eine Auftragsarbeit des / a work comissioned by the Fridericianum, Photo: Nicolas Wefers
Karl Holmqvist: Existential Staircase / Existenzielles Treppenhaus, 2020, eine Auftragsarbeit des / a work comissioned by the Fridericianum, Photo: Nicolas Wefers
Karl Holmqvist: Existential Staircase / Existenzielles Treppenhaus, 2020, eine Auftragsarbeit des / a work comissioned by the Fridericianum, Photo: Andrea Rossetti
Karl Holmqvist: Existential Staircase / Existenzielles Treppenhaus, 2020, eine Auftragsarbeit des / a work comissioned by the Fridericianum, Photo: Andrea Rossetti
Vincent Fecteau
April 3 – September 5, 2021
Installationsansicht / Installation view, Fridericianum, 2021 © Vincent Fecteau, documenta und Museum Fridericianum gGmbH, Andrea Rossetti (photos)
Installationsansicht / Installation view, Fridericianum, 2021 © Vincent Fecteau, documenta und Museum Fridericianum gGmbH, Andrea Rossetti (photos)
Installationsansicht / Installation view, Fridericianum, 2021 © Vincent Fecteau, documenta und Museum Fridericianum gGmbH, Andrea Rossetti (photos)
Installationsansicht / Installation view, Fridericianum, 2021 © Vincent Fecteau, documenta und Museum Fridericianum gGmbH, Andrea Rossetti (photos)
Installationsansicht / Installation view, Fridericianum, 2021 © Vincent Fecteau, documenta und Museum Fridericianum gGmbH, Andrea Rossetti (photos)
Installationsansicht / Installation view, Fridericianum, 2021 © Vincent Fecteau, documenta und Museum Fridericianum gGmbH, Andrea Rossetti (photos)
Installationsansicht / Installation view, Fridericianum, 2021 © Vincent Fecteau, documenta und Museum Fridericianum gGmbH, Andrea Rossetti (photos)
Installationsansicht / Installation view, Fridericianum, 2021 © Vincent Fecteau, documenta und Museum Fridericianum gGmbH, Andrea Rossetti (photos)
Installationsansicht / Installation view, Fridericianum, 2021 © Vincent Fecteau, documenta und Museum Fridericianum gGmbH, Andrea Rossetti (photos)
Installationsansicht / Installation view, Fridericianum, 2021 © Vincent Fecteau, documenta und Museum Fridericianum gGmbH, Andrea Rossetti (photos)
Vincent Fecteau: Untitled, 2014. © Courtesy of the Artist and Galerie Buchholz, greengrassi, Matthew Marks Gallery. Foto / Photo: Ron Amstutz.
Vincent Fecteau: Untitled, 2020. © Courtesy of the Artist and Galerie Buchholz, greengrassi, Matthew Marks Gallery.
Vincent Fecteau: Untitled, 2020. © Courtesy of the Artist and Galerie Buchholz, greengrassi, Matthew Marks Gallery.
Vincent Fecteau: Untitled, 2019. © Courtesy of the Artist and Galerie Buchholz, greengrassi, Matthew Marks Gallery.
Vincent Fecteau: Untitled, 2008. © Courtesy of the Artist and Galerie Buchholz, greengrassi, Matthew Marks Gallery.
Vincent Fecteau: Untitled, 2015. © Courtesy of The Artist and
Galerie Buchholz, greengrassi, Matthew Marks Gallery. Foto / Photo: Ian Reeves
Vincent Fecteau: Untitled, 2006. © Courtesy of the Artist and Galerie Buchholz, greengrassi, Matthew Marks Gallery.
Vincent Fecteau: Untitled, 2015. © Courtesy of the Artist and Galerie Buchholz, greengrassi, Matthew Marks Gallery. Foto / Photo: Ian Reeves
Vincent Fecteau: Untitled, 2000. Private collection, London. © Courtesy of the Artist and Galerie Buchholz, greengrassi, Matthew Marks Gallery. Foto / Photo: farbanalyse.
Vincent Fecteau: Shirley Temple Room #1, 1994. © Courtesy of the Artist and Galerie Buchholz, greengrassi, Matthew Marks Gallery. Foto / Photo: Aaron Wax
Vincent Fecteau: Dramatization (Ausstellungkopie/exhibition copy, 2019), 1994. © Courtesy of the Artist and Galerie Buchholz, greengrassi, Matthew Marks Gallery. Foto / Photo: Aaron Wax
Vincent Fecteau: Chorus #2, 1994. © Courtesy of the Artist and Galerie Buchholz, greengrassi, Matthew Marks Gallery. Foto / Photo: Aaron Wax
Vincent Fecteau, Fridericianum, 2021 © Vincent Fecteau, documenta und Museum Fridericianum gGmbH, Nicolas Wefers (photo)
Tarek Atoui
October 3, 2020 – May 24, 2021
Rumpf eines Containerschiffs und Stahlträger im Hafen von Abu Dhabi (2017), Tarek Atouis Hände bei der I/E-Performance im Louvre, Paris (2013), Marmorstein / Container ship hull and steel rails in Abu Dhabi ports (2017), Tarek Atoui’s hands during I/E performance at the Louvre, Paris (2013), marble stone, Foto / Photo: © Alexandre Guirkinger
Tarek Atoui: Waters’ Witness, Ausstellungsansicht / Installation view, © Tarek Atoui, Fridericianum, Foto / Photo: Andrea Rossetti
Tarek Atoui: Waters’ Witness, Ausstellungsansicht / Installation view, © Tarek Atoui, Fridericianum, Foto / Photo: Andrea Rossetti
Tarek Atoui: Waters’ Witness, Ausstellungsansicht / Installation view, © Tarek Atoui, Fridericianum, Foto / Photo: Andrea Rossetti
Tarek Atoui: Waters’ Witness, Ausstellungsansicht / Installation view, © Tarek Atoui, Fridericianum, Foto / Photo: Andrea Rossetti
Tarek Atoui: Waters’ Witness, Ausstellungsansicht / Installation view, © Tarek Atoui, Fridericianum, Foto / Photo: Andrea Rossetti
Performance Tarek Atoui, Tarek Atoui: Waters’ Witness at the Fridericianum, 2020 © Tarek Atoui, Fridericianum, Foto / Photo: Andrea Rossetti
Performance Tarek Atoui, Tarek Atoui: Waters’ Witness at the Fridericianum, 2020 © Tarek Atoui, Fridericianum, Foto / Photo: Andrea Rossetti
Tarek Atoui, Ausstellungsaufbau / exhibition setup Waters’ Witness, Fridericianum, September 2020
Foto / Photo: Nicolas Wefers
Tarek Atoui, Ausstellungsaufbau / exhibition setup Waters’ Witness, Fridericianum, September 2020
Foto / Photo: Nicolas Wefers
Tarek Atoui, Ausstellungsaufbau / exhibition setup Waters’ Witness, Fridericianum, September 2020
Foto / Photo: Nicolas Wefers
Tarek Atoui, The GROUND, Mixed Media, 58. Internationale Kunstausstellung / 58th International Art Exhibition – La Biennale di Venezia, May You Live In Interesting Times, mit freundlicher Genehmigung / Courtesy La Biennale di Venezia
Foto / Photo: Andrea Avezzù
Tarek Atoui, Ansicht der Performance / view of the performance The Reverse Collection 2014–2016 in den / at the Tanks, Tate Modern, London, 2016, it freundlicher Genehmigung des Künstlers / Courtesy of the artist und / and Tate Modern, London, 2016
Foto / Photo: Thierry Bal
Robert Aiki Aubrey Lowe, C. Lavender, Keith Fullerton, Chuck Bettis, C. Spencer Yeh, Tarek Atoui and Victoria Shen, Tarek Atoui: Organ Within,
Solomon R. Guggenheim Museum, New York,
27. Juni / June 27, 2019
Foto / Photo: Enid Alvarez © Solomon R. Guggenheim Foundation
Bildnachweis / Image Credit:
Tarek Atoui, mit freundlicher Genehmigung des Künstlers / Courtesy of the artist Foto / Photo: © Matteo Bellomo Fabrica
Tarek Atoui und Chris Watson Hydrophone am Strand neben dem Hafen von Elefsina auswerfend, I/E-Projekt, Juni 2015 / Tarek Atoui and Chris Watson launching Hydrophones on the beach next to Elefsina port, I/E project, June 2015
Foto / Photo: Alexandre Guirkinger
Chris Watson nimmt durch einen Marmorstein im Tempel von Elefsina auf / recording through a marble stone at the temple of Elefsina. I/E project. Juni / June 2015.
Foto / Photo: Alexandre Guirkinger
Tarek Atoui, Chris Watson neben der Persephone-Höhle im Tempel von Elefsina (Griechenland) / next to Percephone cave in the Temple of Elefsina (Greece). Juni / June 2015. Foto / Photo: Alexandre Guirkinger
Eric La Casa bei der Aufnahme der Stadt Abu Dhabi von einem Fischerboot auf dem Fischmarkt aus, November 2017 / Eric La Casa recording the city of Abu Dhabi from a fisherman boat at the Fish Market, November 2017
Foto / Photo: Alexandre Guirkinger
Hydrophone von Chris Watson nehmen das Summen des Hafens durch die Vibration des Tores auf, Athen, Juni 2015 / Hydrophones of Chris Watson recording the hum of the port through the vibration of the gate, Athens, June 2015
Foto / Photo: Alexandre Guirkinger
Chris Watson nimmt durch einen Marmorstein im Tempel von Elefsina auf / recording through a marble stone at the temple of Elefsina. I/E project. Juni / June 2015.
Foto / Photo: Alexandre Guirkinger
Forrest Bess
February 15 – September 6, 2020
Forrest Bess, Ausstellungsansicht / Installation view, © Fridericianum, Foto / Photo: Andrea Rossetti
Forrest Bess, Ausstellungsansicht / Installation view, © Fridericianum, Foto / Photo: Andrea Rossetti
Forrest Bess, Ausstellungsansicht / Installation view, © Fridericianum, Foto / Photo: Andrea Rossetti
Forrest Bess, Ausstellungsansicht / Installation view, © Fridericianum, Foto / Photo: Andrea Rossetti
Forrest Bess, Ausstellungsansicht / Installation view, © Fridericianum, Foto / Photo: Andrea Rossetti
Rachel Rose
© Fridericianum, Ausstellungsansicht / Installation View „Rachel Rose“, Foto / Photo: Andrea Rossetti
© Fridericianum, Ausstellungsansicht / Installation View „Rachel Rose“, Foto / Photo: Andrea Rossetti
Rachel Rose: Lake Valley, 2016, Still, © Rachel Rose, Courtesy of the artist, Pilar Corrias Gallery, London und / and Gavin Brown’s enterprise, New York / Rome
Rachel Rose: Sitting Feeding Sleeping, 2013, Still, © Rachel Rose, Courtesy of the artist, Pilar Corrias Gallery, London und / and Gavin Brown’s enterprise, New York / Rome
Rachel Rose: Wil-o-Wisp, 2018, Still, © Rachel Rose, Courtesy of the artist, Pilar Corrias Gallery, London und / and Gavin Brown’s enterprise, New York / Rome
